LEADER 04035nam 2200673 450 001 9910794768003321 005 20230809233523.0 010 $a1-5261-1494-1 010 $a1-5261-1493-3 010 $a1-5261-2413-0 024 7 $a10.7765/9781526114938 035 $a(CKB)4330000000395552 035 $a(MiAaPQ)EBC5236872 035 $a(StDuBDS)EDZ0001721796 035 $a(OCoLC)961212504 035 $a(MdBmJHUP)muse77831 035 $a(Au-PeEL)EBL5236872 035 $a(CaPaEBR)ebr11502615 035 $a(OCoLC)976440545 035 $a(DE-B1597)659227 035 $a(DE-B1597)9781526114938 035 $a(EXLCZ)994330000000395552 100 $a20180221h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aAfter 1851 $ethe material and visual cultures of the Crystal Palace at Sydenham /$fedited by Kate Nichols and Sarah Victoria Turner 210 1$aManchester, England :$cManchester University Press,$d2017. 210 4$dİ2017 215 $a1 online resource (214 pages) $cillustrations, photographs 300 $aPreviously issued in print: 2017. 311 $a0-7190-9649-9 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note:$g1.$t`What is to become of the Crystal Palace?' The Crystal Palace after 1851 /$rSarah Victoria Turner --$g2.$t`A present from the Crystal Palace': souvenirs of Sydenham, miniature views and material memory /$rVerity Hunt --$g3.$tThe cosmopolitan world of Victorian portraiture: the Crystal Palace portrait gallery, c.1854 /$rJason Edwards --$g4.$tThe armless artist and the lightning cartoonist: performing popular culture at the Crystal Palace c.1900 /$rAnn Roberts --$g5.$t`[M]anly beauty and muscular strength': sculpture, sport and the nation at the Crystal Palace, 1854 -- 1918 /$rKate Nichols --$g6.$tFrom Ajanta to Sydenham: `Indian' art at the Sydenham Palace /$rSarah Victoria Turner --$g7.$tPeculiar pleasure in the ruined Crystal Palace /$rJames Boaden --$g8.$tDinosaurs Don't Die: the Crystal Palace monsters in children's literature, 1854 -- 2001 /$rMelanie Keene --$g9.$t`A copy -- or rather a translation ... with numerous sparkling emendations.' Re-rebuilding the Pompeian Court of the Crystal Palace /$rNic Earle. 330 8 $aEchoing Joseph Paxton's question at the close of the Great Exhibition, 'What is to become of the Crystal Palace?', this interdisciplinary essay collection argues that there is considerable potential in studying this unique architectural and art-historical document after 1851, when it was rebuilt in the South London suburb of Sydenham. It brings together research on objects, materials and subjects as diverse as those represented under the glass roof of the Sydenham Palace itself; from the Venus de Milo to Sheffield steel, souvenir 'peep eggs' to war memorials, portrait busts to imperial pageants, tropical plants to cartoons made by artists on the spot, copies of paintings from ancient caves in India to 1950's film. Essays do not simply catalogue and collect this eclectic congregation, but provide new ways for assessing the significance of the Sydenham Crystal Palace for both nineteenth- and twentieth-century studies. The volume will be of particular interest to researchers and students of British cultural history, museum studies, and art history. 606 $aModernism (Art) 610 $aClass. 610 $aCrystal Palace. 610 $aEducation. 610 $aEmpire. 610 $aExhibitions. 610 $aLeisure. 610 $aMaterial culture. 610 $aNation. 610 $aSydenham. 610 $aVisual culture. 615 0$aModernism (Art) 676 $a942.178 702 $aNichols$b Kate 702 $aTurner$b Sarah Victoria 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910794768003321 996 $aAfter 1851$93730950 997 $aUNINA