LEADER 01217nam 2200433 450 001 9910794602003321 005 20230725024403.0 010 $a87-593-2224-1 035 $a(CKB)4330000000003347 035 $a(EBL)4186590 035 $a(OCoLC)947129153 035 $a(MiAaPQ)EBC4186590 035 $a(Au-PeEL)EBL4186590 035 $a(CaPaEBR)ebr11175643 035 $a(EXLCZ)994330000000003347 100 $a20160625h20112011 uy 0 101 0 $adan 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aEtik for politifolk /$fAdam Diderichsen 210 1$aFrederiksberg, [Denmark] :$cSamfundslitteratur,$d2011. 210 4$dİ2011 215 $a1 online resource (267 p.) 300 $aDescription based upon print version of record. 311 $a87-593-1492-3 320 $aIncludes bibliographical references and index. 606 $aPolice ethics 615 0$aPolice ethics. 676 $a174.93632 700 $aDiderichsen$b Adam$01514403 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910794602003321 996 $aEtik for politifolk$93749547 997 $aUNINA LEADER 02899nam 2200601 450 001 9910787958203321 005 20230803032346.0 010 $a1-4438-6712-8 035 $a(CKB)2670000000568535 035 $a(EBL)1790908 035 $a(SSID)ssj0001409701 035 $a(PQKBManifestationID)11872504 035 $a(PQKBTitleCode)TC0001409701 035 $a(PQKBWorkID)11379607 035 $a(PQKB)11359833 035 $a(Au-PeEL)EBL1790908 035 $a(CaPaEBR)ebr10934857 035 $a(CaONFJC)MIL645726 035 $a(OCoLC)891446586 035 $a(MiAaPQ)EBC1790908 035 $a(EXLCZ)992670000000568535 100 $a20140929h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aDifferences on stage /$fedited by Alessandra De Martino, Paolo Puppa and Paola Toninato ; Catherine Boyle [and fifteen others], contributors 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2013. 210 4$dİ2013 215 $a1 online resource (299 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-4463-2 311 $a1-322-14471-0 320 $aIncludes bibliographical references and index. 327 $aTABLE OF CONTENTS; PREFACE; ACKNOWLEDGMENTS; FOR A THEATRE ON THE EDGE; PART I: FOR A THEORETICAL APPROACH; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART II: DRAMATIC DIFFERENCES; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; PART III: THE GAME OF MIRRORS; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; PART IV: TRANSLATING THE OTHER; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; PART V: TALKING THEATRE; TALKING ABOUT DIFFERENCES; FOR A POLITICAL THEATRE; PART VI: DRAMATURGIES; MONOLOGUE: RAGAZZE; MONOLOGUE FROM BARBONI; MONOLOGUE: ALCESTIS; POST SCRIPTUM; SELECT BIBLIOGRAPHY; CONTRIBUTORS; INDEX 330 $aDifferences on Stage is a collection of twelve original essays by leading international theatre critics and scholars, which aims to address the relationship between theatre and the development of political awareness through the voice of subaltern people. The book is enriched by the contributions of some of the most engaged protagonists of the stage, who, in their capacity as authors, players and directors, denounce prejudice and conformism whilst allowing the marginalized sections of society ... 606 $aTheater$xPolitical aspects 606 $aEthnicity in the theater 615 0$aTheater$xPolitical aspects. 615 0$aEthnicity in the theater. 676 $a792.022 702 $aDe Martino$b Alessandra 702 $aPuppa$b Paolo 702 $aToninato$b Paola 702 $aBoyle$b Catherine 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787958203321 996 $aDifferences on stage$93742170 997 $aUNINA