LEADER 00977nam0-22003251i-450- 001 990001495080403321 010 $a0-19-513202-5 035 $a000149508 035 $aFED01000149508 035 $a(Aleph)000149508FED01 035 $a000149508 100 $a20020627d2001----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa---a---001yy 200 1 $a<>discovery of dynamics$eA study from a Machian point of view of the discovery and the structure of dynamical theories$fJ. B. Barbour 210 $aOxford$cOxford University Press$dc2001 215 $axxiv, 746 p.$cill.$d24 cm 610 0 $aMeccanica delle particelle e dei sistemi 676 $a531.11$v21 700 1$aBarbour,$bJulian B.$042738 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001495080403321 952 $aCPDM-70-002$b19235$fMA1 959 $aMA1 962 $a70-XX 962 $a70-03 996 $aDiscovery of dynamics$9377544 997 $aUNINA LEADER 03159nam 2200469 450 001 9910794542103321 005 20230624092222.0 010 $a1-78938-411-7 010 $a1-78938-410-9 035 $a(CKB)4100000011982493 035 $a(MiAaPQ)EBC6680034 035 $a(Au-PeEL)EBL6680034 035 $a(OCoLC)1261366350 035 $a(EXLCZ)994100000011982493 100 $a20230624d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPhenomenology for actors $etheatre-making and the question of being /$fDaniel Johnston 205 $a1st ed. 210 1$aBristol, England :$cIntellect Ltd,$d[2021] 210 4$dİ2021 215 $a1 online resource (176 pages) 311 $a1-78938-409-5 320 $aIncludes bibliographical references and index. 327 $aFront Cover -- Half Title -- Frontispieces -- Phenomenology for Actors: Theatre- Making and the Question of Being -- Copyright Page -- Dedication -- Epigra[ph -- Table of contents -- Illustrations -- Acknowledgements -- A Note on the Text -- 1 Beginnings: Being There -- Touching hands with Being -- What is phenomenology? -- Performance and phenomenology -- Philosophers on stage -- Mapping the self -- 2 Phenomenology: Being-in-the-World -- Some background terms -- Space and bodies -- The history of Being -- Destruktion and the text -- From theory to practice -- Observe a walk -- Observe stillness -- Scrutinize an object -- Chart a place well known to you -- Unpack a place where you feel at home -- Dissect a familiar activity -- Describe a person -- Recount a time when you struggled to communicate -- Demonstrate a moment when you had an unusual experience of time -- Stage a life choice -- Recreate the instant in which your life was threatened -- Text-Character-Performance -- 3 Being-with Others: The Cherry Orchard -- Equipment -- Involvement -- Touch -- Being elsewhere -- Other people -- 4 Authenticity and Freedom: Antigone -- Falling -- Moods and faring -- Thrownness and projection -- Fate and destiny -- 5 Time and Resoluteness: Hamlet -- Timeliness -- Having a history -- Being-a-whole -- Resoluteness -- Being-towards-death -- 6 Possibilities: Aletheia -- On the essence of truth in theatre -- Poetry, language, theatre -- Building, dwelling, theatre -- The question concerning theatre technology -- Ereignis -- References -- Index -- Back Cover. 330 $aThis book explores how phenomenology - the study of how the world shows itself to conscious experience - can provide new insights into acting and theatre-making. It explores Being-in-the-world in everyday life with practical exercises for rehearsal and performance. 7 b/w illus. 606 $aActing$xPhilosophy 606 $aPhenomenology 615 0$aActing$xPhilosophy. 615 0$aPhenomenology. 676 $a792.02801 700 $aJohnston$b Daniel$f1947-$01504100 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910794542103321 996 $aPhenomenology for actors$93732911 997 $aUNINA