LEADER 02465nam 2200433 450 001 9910794470903321 005 20230629234802.0 010 $a0-367-81012-3 010 $a1-000-29040-9 035 $a(CKB)4100000011570696 035 $a(MiAaPQ)EBC6389839 035 $a(OCoLC)1176318268 035 $a(EXLCZ)994100000011570696 100 $a20201208d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMobility and identity in US genre painting $epainting at the threshold /$fLacey Baradel 210 1$aNew York, New York ;$aLondon :$cRoutledge,$d[2021] 210 4$dİ2021 215 $a1 online resource (xiii, 163 pages) $cillustrations, maps 225 1 $aRoutledge research in art history 311 $a0-367-40959-3 327 $aMobility and containment in Eastman Johnson's genre paintings -- Mapping Enoch Wood Perry's genre scenes -- Crossing thresholds in Thomas Hovenden's Breaking home ties -- Dislocation and connection in John Sloan's scenes of urban transport. 330 $a"This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in United States genre paintings during the second half of the long nineteenth century (c. 1860-1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824-1906), Enoch Wood Perry, Jr. (1831-1915), Thomas Hovenden (1840-1895), and John Sloan (1871-1951). It also complicates art history's canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by instead privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography"--$cProvided by publisher. 410 0$aRoutledge research in art history. 606 $aGenre painting, American$y19th century 615 0$aGenre painting, American 676 $a754.097309034 700 $aBaradel$b Lacey$f1982-$01582858 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910794470903321 996 $aMobility and identity in US genre painting$93865562 997 $aUNINA