LEADER 02298nam 2200409 450 001 9910794319603321 005 20230809233042.0 010 $a1-78491-587-4 035 $a(CKB)4100000011458792 035 $a(MiAaPQ)EBC6353007 035 $a(EXLCZ)994100000011458792 100 $a20201215d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGreek art $efrom Oxford to Portugal and back again : a tribute to Maria Helena Da Rocha-Pereira /$fRui Morais ; with a foreword by Delfim Lea?o 210 1$aOxford :$cArchaeopress Publishing Ltd,$d[2017] 210 4$dİ2017 215 $a1 online resource (vi, 57 pages) $cillustrations 225 1 $aArchaeopress archaeology 311 $a1-78491-586-6 330 $a"One of the most fascinating topics in the study of ancient art concerns artistic practices and models and the means of transmission of iconographic designs and decorative compositions. This phenomenon, although well known, has not drawn much attention of scholars of the ancient art. Apart from copies of originals, the practice dates back to the first civilizations and may be even older. The media used could be painted vignettes on papyri, paint on leather, or sketches painted on ostraca, used as pattern books. This issue is practically unheard of regarding ancient Greece, although a few media have been found which may have facilitated the transmission of iconographic designs and decorative compositions. In this study we present some examples that suggest the existence of pattern books in the Greek world. If the media used in the Greek world are insofar unknown, the same cannot be said of the Roman world. Written sources mention the existence of manuals in the form of papyrus scrolls (stemmata, imagines) which served as models as well as inspiration for the artists."--Back cover. 410 0$aArchaeopress archaeology. 606 $aArt, Greek 615 0$aArt, Greek. 676 $a709.38 700 $aMorais$b Rui$01121127 702 $aLea?o$b Delfim Ferreira 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910794319603321 996 $aGreek art$93869564 997 $aUNINA