LEADER 04779nam 22008895 450 001 9910794192703321 005 20200406050111.0 010 $a1-64469-374-7 010 $a1-64469-272-4 024 7 $a10.1515/9781644692721 035 $a(CKB)4100000010659601 035 $a(MiAaPQ)EBC6134207 035 $a(DE-B1597)541651 035 $a(DE-B1597)9781644692721 035 $a(OCoLC)1129393566 035 $a(EXLCZ)994100000010659601 100 $a20200406h20202020 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cn$2rdamedia 183 $anc$2rdacarrier 200 00$aCinemasaurus $eRussian Film in Contemporary Context /$fNancy Condee, Alexander Prokhorov, Elena Prokhorova 210 1$aBoston, MA : $cAcademic Studies Press, $d[2020] 210 4$d©2020 215 $a1 online resource 225 0 $aFilm and Media Studies 311 $a1-64469-270-8 320 $aIncludes bibliographical references, filmography, and index. 327 $tFrontmatter -- $tContents -- $tList of Illustrations -- $tForeword -- $tAcknowledgments -- $tNote on Transliteration and Translations -- $tCinemasaurus: Introduction -- $tIntroduction -- $t1. Imperial Fatigue: Somnambulants, Ghosts, and Monsters -- $t2. Empire Reloaded: Sacred Power in a Postmodern Era -- $t3. Russia's Quiet Other: Dmitrii Mamuliia's Another Sky and Aleksandr Kott's The Test -- $tIntroduction -- $t4. Laughing Apocalypse: Horror and/as Comedy -- $t5. Eccentricity, Theatricality, and the Grotesque -- $t6. Privatized Violence in the New Russian Cinema -- $tIntroduction -- $t7. Fragments of Empire: The Heartland in Post-Soviet Film -- $t8. Russia on the Margins? -- $t9. Contending Alterities: Drag Show, Roma Camp . . . -- $tIntroduction -- $t10. Past, Present, and Posthumous Fathers: Cinepaternity Reloaded -- $t11. New Auteurism: The Case of Mikhalkov and Bekmambetov -- $t12. Elki: The Most Profitable Franchise of the Putin Era -- $t13. The Mediascape: Alexander Rodnyansky (CEO, AR Films, Non-Stop Production) -- $t14. The Festival: Sitora Alieva (Program Director, Kinotavr) -- $t15. The Exhibition Space: Paul Heth (CEO, Rising Star Media; Karo Film Holding) -- $t16. The Film Journal: Birgit Beumers (KinoKultura, UK) -- $t17. The Film Symposium: Vladimir Padunov (Russian Film Symposium, US) -- $tKino-Grafik -- $tNotes on the Contributors -- $tWorks Cited -- $tIndex 330 $aCinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume's contributors-the new generation of US scholars studying Russian cinema-examine four issues of Russia's transition: (1) its imperial legacy, (2) the emergence of a film market and its new genres, (3) Russia's uneven integration into European values and hierarchies, (4) the renegotiation of state power vis-à-vis arthouse and independent cinemas. An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context. 410 0$aFilm and media studies (Boston, Mass.) 606 $aMotion picture industry$zRussia (Federation) 610 $a20th century film. 610 $a21st century film. 610 $aAleksandr Kott. 610 $aAnother Sky. 610 $aBekmambetov. 610 $aCinema. 610 $aDmitrii Mamuliia. 610 $aElki. 610 $aEurasian. 610 $aFilm Symposium. 610 $aKinoKultura. 610 $aKinotavr. 610 $aMikhalkov. 610 $aRussia. 610 $aThe Test. 610 $aart. 610 $aarthouse films. 610 $acinematography. 610 $acomedy. 610 $acontemporary. 610 $acriticism. 610 $aculture. 610 $adocumentary. 610 $afilm festival. 610 $afilm production. 610 $afilm. 610 $agenre. 610 $ahorror. 610 $aindependent films. 610 $amovies. 610 $apolitical commentary. 610 $apost-Soviet. 610 $aviolence in film. 615 0$aMotion picture industry 676 $a791.430947 702 $aCondee$b Nancy, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aProkhorov$b Alexander, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aProkhorova$b Elena, $4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910794192703321 996 $aCinemasaurus$93855329 997 $aUNINA