LEADER 03924nam 2200469 450 001 9910788949803321 005 20230803033805.0 010 $a3-99043-618-X 024 7 $a10.1515/9783990436189 035 $a(CKB)3390000000063130 035 $a(DE-B1597)246709 035 $a(OCoLC)979635303 035 $a(DE-B1597)9783990436189 035 $a(MiAaPQ)EBC5117555 035 $a(Au-PeEL)EBL5117555 035 $a(CaPaEBR)ebr11654766 035 $a(EXLCZ)993390000000063130 100 $a20190223d2013 uy 0 101 0 $ager 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aDie Rettung des Wittgenstein Hauses in Wien Vor Dem Abbruch. Saving the Wittgenstein House Vienna from Demolition /$fBernhard Leitner 210 1$aVienna :$cAmbra Verlag,$d2013. 215 $a1 online resource 311 $a3-99043-617-1 327 $t Frontmatter -- $tInhalt / Contents -- $tThe Inception / Der Auftrag -- $tThe Visit / Der Besuch -- $tThe Article / Der Artikel -- $tThe Subtitle / Der Untertitel -- $tThe Letter to the Editor / Der Leserbrief -- $tThe Office of Landmarks Preservation / Das Denkmalamt -- $tA Suspicious Silence / Die Gespannte Ruhe -- $tNew York-Vienna-New York / New York-Wien-New York -- $tThe Intervention / Die Intervention -- $tRezoning / Die Umwidmung -- $tEpilogue / Der Nachruf -- $tThe Call -- $tThe Rally / Der Aufruf -- $tAfterword / Nachwort 330 $a"Did you know, Logical Positivists, that the late Ludwig Wittgenstein, the Austrian philosopher who's very in with art worldings these days, was also a one-shot architect? And that now there's is one-man movement afoot to save the single house he designed and built in Vienna? The movement is Bernhard Leitner, a young Austrian architect, over here on a stint with the city's Office of Midtown Planning and Development."The New York Times, February 22, 1970 In June 1971, the demolition of the Wittgenstein House was resolved by the City of Vienna with the authorisation of the Landmarks Preservation Office. This demolition was stopped at the last minute. It was the improbable end of a two-year rescue campaign operated from New York. Bernhard Leitner collected unique photographs as well as facsimiles of documents that illustrate the incredible odyssey that ended in the rescue of this architectural jewel. 330 $a"Wusstet ihr, Logische Positivisten, dass der verstorbene Ludwig Wittgenstein, der österreichische Philosoph, der dieser Tage in der Kunstwelt sehr en vogue ist, auch ein one-shot-Architekt war? Und dass es jetzt eine Ein-Mann-Bewegung gibt, um das einzige Haus zu retten, das er in Wien entworfen und gebaut hat? Die Bewegung ist Bernhard Leitner, ein junger österreichischer Architekt, der hier für eine Zeit im Office of Midtown Planning and Development der Stadt New York arbeitet." The New York Times , 22. Februar 1970. Im Juni 1971 war der Abbruch des Wittgenstein-Hauses von der Stadt Wien mit der Genehmigung des Denkmalamtes beschlossen. Erst in letzter Minute wurde ein Abbruch verhindert. Es war ein unwahrscheinliches Ende einer zweijährigen, von New York aus geführten Rettungskampagne. Bernhard Leitner versammelt in diesem Buch einmalige Fotografien sowie faksimilierte Dokumente die den unglaublichen Rettungs-Prozess, an dessen Ende die Erhaltung dieses Baujuwels stand, veranschaulichen. 606 $aARCHITECTURE / Historic Preservation / General$2bisacsh 615 7$aARCHITECTURE / Historic Preservation / General. 676 $a192 686 $aLL 21267$2rvk 700 $aLeitner$b Bernhard$032630 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788949803321 996 $aDie Rettung des Wittgenstein Hauses in Wien Vor Dem Abbruch. Saving the Wittgenstein House Vienna from Demolition$93673226 997 $aUNINA LEADER 06570nam 2200565 450 001 9910794189803321 005 20230803042647.0 010 $a1-4744-6842-X 024 7 $a10.1515/9781474468428 035 $a(CKB)4100000010673587 035 $a(MiAaPQ)EBC6141825 035 $a(iGPub)EUPB0001791 035 $a(DE-B1597)614970 035 $a(DE-B1597)9781474468428 035 $a(EXLCZ)994100000010673587 100 $a20200620d2013 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCalligraphy and architecture in the Muslim world /$fedited by Mohammad Gharipour and I?rvin Cemil Schick 210 1$aEdinburgh :$cEdinburgh University Press,$d[2013] 210 4$d©2013 215 $a1 online resource (xii, 532 pages) $cillustrations 311 $a0-7486-6922-1 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tFigures -- $tIntroduction -- $tPart A: Sites -- $tChapter One.Inscribing the Square: The Inscriptions on the Maid?n-i Sh?h in I?fah?n -- $tChapter Two. Speaking Architecture: Poetry and Aesthetics in the Alhambra Palace -- $tChapter Three. The Arabic Calligraphy on the Ceiling of the Twelfth- Century Cappella Palatina in Palermo, Sicily: Function and Identity -- $tChapter Four. Wall- Less Walls: The Calligraphy at the Had?i Sinanova Tekija in Sarajevo -- $tChapter Five. The Qur?anic Inscriptions of the Minaret of J?m in Afghanistan -- $tPart B: Style vs Content -- $tChapter Six. Multi- Sensorial Messages of the Divine and the Personal: Qur?an Inscriptions and Recitation in Sixteenth- Century Ottoman Mosques in Istanbul -- $tChapter Seven. The Revival of K?f? Script during the Reign of Sultan Abdülhamid II -- $tChapter Eight. Calligraphy in Chinese Mosques: At the Intersection of Arabic and Chinese Calligraphy -- $tChapter Nine. Qur?anic Verses on Works of Architecture: The Ottoman Case -- $tChapter Ten. Reading Q?j?r Epigraphs: Case Studies from Sh?r?z and I?fah?n -- $tPart C: Patronage -- $tChapter Eleven ?The Pen Has Extolled Her Virtues?: Gender and Power within the Visual Legacy of Shajar al- Durr in Cairo -- $tChapter Twelve. Sovereign Epigraphy in Location: Politics, Devotion and Legitimisation around the Qu?b Min?r, Delhi -- $tChapter Thirteen. Archival Evidence on the Commissioning of Architectural Calligraphy in the Ottoman Empire -- $tChapter Fourteen. On the Renewal of t he Calligraphy at the Mosque of the Prophet (al- Masjid al- Nabaw?) under the Reign of Sultan Abdülmecid -- $tChapter Fifteen. F??imid K?f? Epigraphy on the Gates of Cairo: Between Royal Patronage and Civil Utility -- $tChapter Sixteen. An Art Ambassador: The Inscriptions of 'Al? Ri?? 'Abb?s? -- $tChapter Seventeen. Mustafa Râk?m Efendi?s Architectural Calligraphy -- $tChapter Eighteen. Yesârîzâde Mustafa ?zzet Efendi and his Contributions to Ottoman Architectural Calligraphy -- $tChapter Nineteen. The Visual Interpretation of Nasta'l?q in Architecture: M?rz? Ghol?m Re???s Monumental Inscriptions for the Sepahs?l?r Mosque in Tehran -- $tPart E: Regional -- $tChapter Twenty. Ma?qil? Inscriptions on the Great Mosque of Mardin: Stylistic and Epigraphic Contexts -- $tChapter Twenty- one. The Composition of K?f? Inscriptions in Transitional and Early- Islamic Architecture of North Khur?s?n -- $tChapter Twenty-two. Space and Calligraphy in the Chinese Mosque -- $tChapter Twenty- three. Medium and Message in the Monumental Epigraphy of Medieval Cairo -- $tChapter Twenty- four. Allegiance, Praise and Space: Monumental Inscriptions in Thirteenth- Century Anatolia as Architectural Guides -- $tChapter Twenty- five. Symmetrical Compositions in Asia Minor Chapter Twenty- five Symmetrical Compositions in Pre- Ottoman and Ottoman Architectural Inscriptions in Asia Minor -- $tPart F: Modernity -- $tChapter Twenty- six. Writing Less, Saying More: Calligraphy and Modernisation in the Last Ottoman Century -- $tChapter Twenty- seven. The Absence and Emergence of Calligraphy in Najd: Calligraphy as a Modernist Component of Architecture in Riyadh -- $tChapter Twenty- eight. Cairo to Canton and Back: Tradition in the Islamic Vernacular -- $tAbout the Contributors -- $tIndex 330 $a"This book explores the myriad interactions between calligraphy and architecture throughout the history of the Muslim world. From Spain to China, Islamic architecture and calligraphy are inexorably intertwined. Mosques, dervish lodges, mausolea, libraries, even baths and marketplaces bear masterpieces of calligraphy that rival the most refined books and scrolls. This major reference work focuses on architectural inscriptions throughout the Muslim world, some going back to the Middle Ages, others dating from our own lifetime. What were the purposes of these inscriptions? How do they infuse buildings with culturally specific meanings, sacred or profane? What do they add to architectural design? What sorts of materials were used, and how do they interact with light and space? Who were their patrons, and what do we know about the artists who produced them? You can find out with this exciting new collection written by a stellar cast of international contributors. It features 28 case studies explain different aspects and contexts of calligraphy in Islamic architecture. It is geographically wide-ranging - covers North Africa, the Middle East, South Asia, China and Spain. It takes an interdisciplinary approach to analysing calligraphy as part of its larger spatial-architectural context. It is lavishly illustrated with 400 colour images." 606 $aIslamic calligraphy 606 $aArchitectural inscriptions 606 $aDecoration and ornament, Architectural 606 $aIslamic architecture 606 $aIslamic decoration and ornament 615 0$aIslamic calligraphy. 615 0$aArchitectural inscriptions. 615 0$aDecoration and ornament, Architectural. 615 0$aIslamic architecture. 615 0$aIslamic decoration and ornament. 676 $a745.619927 700 $aGharipour$b Mohammad, $4aut$4http://id.loc.gov/vocabulary/relators/aut$0925266 702 $aGharipour$b Mohammad 702 $aSchick$b I?rvin Cemil 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910794189803321 996 $aCalligraphy and architecture in the Muslim world$93855302 997 $aUNINA