LEADER 03806nam 2200469 450 001 9910794187603321 005 20231213135101.0 010 $a1-4744-6376-2 024 7 $a10.1515/9781474463768 035 $a(CKB)4100000010673546 035 $a(MiAaPQ)EBC6141649 035 $a(OCoLC)1145701385 035 $a(DE-B1597)614692 035 $a(DE-B1597)9781474463768 035 $a(EXLCZ)994100000010673546 100 $a20200621d2004 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aNew queer cinema $ea critical reader /$fedited by Michele Aaron 210 1$aEdinburgh :$cEdinburgh University Press,$d[2004] 210 4$dİ2004 215 $a1 online resource (223 pages) 311 $a0-7486-1724-8 327 $tFrontmatter --$tContents --$tAcknowledgments --$tList of illustrations --$tNotes on the contributors --$tPart I New Queer cinema in context --$t1. New queer cinema: an introduction --$t2. New queer cinema --$t3. Aids and new queer cinema --$tPart II New queer filmmaking --$tOverview --$t4. The characteristics of new queer filmmaking: case study-Todd Haynes --$t5. Camp and queer and the new queer director: case study-Gregg Araki --$t6. Art cinema and murderous lesbians --$t7. New queer cinema and experimental video --$tPart III Locating new queer cinema --$tOverview --$t8. New queer cinema and lesbian films --$t9. New queer cinema: Spectacle, race, utopia --$t10. New black queer cinema --$t11. Nationality and new queer cinema: Australian film --$t12. New Queer cinema and third cinema --$tPart IV Watching new queer cinema --$tOverview --$t13. Reception of a queer mainstream film --$t14. The new queer spectator --$tIndex 330 $aCoined in the early 1990s to describe a burgeoning film movement, 'New Queer Cinema' has turned the attention of film theorists, students and audiences to the proliferation of intelligent, stylish and daring work by lesbian and gay filmmakers within independent cinema, and to the proliferation of 'queer' images and themes within the mainstream. But what constituted New Queer Cinema then and now? And was it political gains, cultural momentum or market forces that determined its evolution?New Queer Cinema is divided into sections on the definition, the filmmakers, the geography, and the spectator of New Queer Cinema. Chapters address the pivotal directors (e.g. Todd Haynes and Gregg Araki) and the salient films (e.g. Paris is Burning and Boys Don't Cry) but also non-mainstream and non-Anglo-American work (e.g. experimental film and third cinema). With a critical eye to its uneasy relationship to the mainstream, the volume explores the aesthetic, socio-cultural, political and, necessarily, commercial investments of New Queer Cinema. This book, the first full-length study of the subject, offers the definitive guide to New Queer Cinema combining indispensable discussions of its central issues with exciting new work by keywriters.FeaturesProvides a definitive introduction to New Queer Cinema (NQC)Clear structure with each section addressing a key topic in the study of NQCThemes covered include genre, gender and race, politics, media, and the relationship between NQC and the mainstream. 606 $aGay people in motion pictures 606 $aHomosexuality in motion pictures 615 0$aGay people in motion pictures. 615 0$aHomosexuality in motion pictures. 676 $a791.43653 700 $aAaron$b Michele$4aut$4http://id.loc.gov/vocabulary/relators/aut$0776534 702 $aAaron$b Michele 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910794187603321 996 $aNew queer cinema$93709986 997 $aUNINA