LEADER 03651nam 2200529I 450 001 9910794053203321 005 20200518093816.0 010 $a1-83867-445-4 010 $a1-83867-443-8 035 $a(CKB)4100000011204206 035 $a(MiAaPQ)EBC6194024 035 $a(UtOrBLW)9781838674458 035 $a(EXLCZ)994100000011204206 100 $a20200518d2020 uy 0 101 0 $aeng 135 $aurun||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMetal music and the re-imagining of masculinity, place, race and nation /$fKarl Spracklen (Leeds Beckett University, UK) 210 1$aBingley, England :$cEmerald Group Publishing Limited,$d[2020] 210 4$dİ2020 215 $a1 online resource (217 pages) 225 1 $aEmerald studies in metal music and culture 300 $aIncludes index. 311 $a1-83867-444-6 320 $aIncludes bibliographical references. 327 $aChapter one. Introduction, context and methods -- Chapter two. The old nationalism and masculinity: historical review -- Chapter three. Populism, nationalism and masculinity today: a review chapter -- Chapter four. Theories of leisure and music; and music, identity and place -- Chapter five. Iron Maiden: true stories of men at war -- Chapter six. Manowar: true metal warriors -- Chapter seven. Bathory and Viking metal -- Chapter eight. The Norwegians as 'authentic' Vikings: enslaved, Windir and Wardruna -- Chapter nine. Pagan metal in Eastern Europe -- Chapter ten. Finnish folk metal: raising drinking horns in mainstream metal -- Chapter eleven. English heritage black metal and the equivalents in Scotland, Wales and Yorkshire -- Chapter twelve. Challenging hegemony? Darkestrah, and Zeal & Ardor -- Chapter thirteen. Conclusions -- References -- Discography. 330 $aMetal is a form of popular music. Popular music is a form of leisure. In the modern age, popular music has become part of popular culture, a heavily contested collection of practices and industries that construct place, belonging and power. The arrival of Donald Trump in the White House has shown that angry white men still wield huge social and cultural power in this new century. The aim of this monograph is to explore metal music - might be seen as leisure spaces that resist the norms and values of the mainstream; but also how they might also serve to re-affirm and construct those norms and values. In particular, this book is interested in how forms of metal might work to re-imagine masculinity, race, nation and class in an intersectional way through the myth of warrior masculinity and blood and soil. This monograph explores the history of the myths, and the reaction by fans to the music. The focus is extended to bands that use the warrior-nation myth in places and countries beyond the global North, and in ways that challenge or subvert hegemony. 410 0$aEmerald studies in metal music and culture. 606 $aHeavy metal (Music) 606 $aMasculinity in music 606 $aMusic, Genres & Styles, Heavy Metal$2bisacsh 606 $aHeavy Metal music$2bicssc 608 $aCriticism, interpretation, etc.$2fast 615 0$aHeavy metal (Music) 615 0$aMasculinity in music. 615 7$aMusic, Genres & Styles, Heavy Metal. 615 7$aHeavy Metal music. 676 $a781.66 700 $aSpracklen$b Karl$0972489 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910794053203321 996 $aMetal music and the re-imagining of masculinity, place, race and nation$93679370 997 $aUNINA