LEADER 03218nam 2200577 450 001 9910466681003321 005 20211109143939.0 010 $a9780199701162$b(Proquest Ebook Central) 010 $a9780195380996 (hardback) 010 $a9780195381009 010 $a0-19-970116-4 035 $a(CKB)4100000007122153 035 $a(MiAaPQ)EBC5571194 035 $a(Au-PeEL)EBL5571194 035 $a(OCoLC)1064484491 035 $a(EXLCZ)994100000007122153 100 $a20181203d2012 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJazz composition and arranging in the digital age /$fRichard Sussman and Michael Abene 210 1$aNew York, NY :$cOxford University Press,$d[2012] 210 4$dİ2012 215 $a1 online resource (xxvi, 505 pages) $cillustrations 311 1 $a0-19-538100-9 320 $aIncludes bibliographical references and index. 327 $aOverview and basic information -- Arranging for small ensemble (3-6 horns + rhythm section) -- Arranging for large jazz ensemble (8 brass, 5 reeds, and rhythm). 330 $aThis is a comprehensive and practical instructional book and reference guide on the art and craft of jazz composition and arranging for small and large ensembles. In this book, veteran composers and arrangers Richard Sussman and Michael Abene combine their extensive years of experience as musicians and instructors to demonstrate how advances in music technology and software may be integrated with traditional compositional concepts to form a new and more efficient paradigm for the creative process. This book builds on material and issues treated in traditional jazz composition and arranging courses, including all the fundamental musical techniques and information associated with jazz arranging and composition instruction. In addition, each chapter of the book also contains specific examples demonstrating the effective utilization of music software as applied to the realization of these techniques. Software is employed both as both a learning tool in the form of examples and exercises, and as a practical tool illustrating how many modern day composer/arrangers are utilizing these techniques successfully in the real world. The book also offers several chapters devoted exclusively to the creative use of music technology and software. 606 $aComposition (Music) 606 $aInstrumentation and orchestration (Band) 606 $aJazz$xInstruction and study 606 $aMusical notation$xComputer programs 606 $aArrangement (Music) 608 $aElectronic books. 615 0$aComposition (Music) 615 0$aInstrumentation and orchestration (Band) 615 0$aJazz$xInstruction and study. 615 0$aMusical notation$xComputer programs. 615 0$aArrangement (Music) 676 $a781.65/13 700 $aSussman$b Richard$0848915 702 $aAbene$b Mike 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910466681003321 996 $aJazz composition and arranging in the digital age$91895990 997 $aUNINA LEADER 03107nam 2200409 450 001 9910794037003321 005 20201221233832.0 010 $a90-272-6110-5 035 $a(CKB)4100000011243683 035 $a(MiAaPQ)EBC6195906 035 $a(EXLCZ)994100000011243683 100 $a20200811d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a(Im)politeness and moral order in online interactions /$fChaoqun Xie 210 1$aAmsterdam, Netherlands :$cJohn Benjamins Publishing Company,$d2020. 215 $a1 online resource (185 pages) $cillustrations 300 $aIncludes index. 311 $a90-272-0562-0 327 $a(Im)politeness, morality and the internet / Chaoqun Xie -- The personal and/as the political : small stories and impoliteness in online discussions of the Greek crisis / Alex Georgakopoulou and Maria Vasilaki -- Exploring the moral compass : denunciations in a Facebook carpool group / Rosina Ma?rquez Reiter and Sara Orthaber -- "Ya bloody drongo!!!" : impoliteness as situated moral judgement on Facebook / Valeria Sinkeviciute -- Impoliteness and the moral order in online gaming / Sage Lambert Graham -- Impoliteness online : hate speech in online interactions / Manfred Kienpointner -- The meta-conventionalisation and moral order of e-practices : a Japanese case study / Da?niel Z. Ka?da?r and Saeko Fukushima. 330 $a"(Im)politeness and Moral Order in Online Interactions presents a timely response to the 'moral turn' in (im)politeness studies. This volume, presented by a roster of prominent figures in the field, documents and showcases the complexity of (im)politeness as social practice by focusing on the morality of (im)politeness in internet-mediated interactions. It includes, among others, studies on how the moral order is made explicit and salient in the production and perception of online impoliteness as social practice and how situated impoliteness can perform positive social and communicative functions. This volume confirms once again that (im)politeness can serve as a lens through which a variety of topics, genres, and contexts are intertwined together pointing to the very presence and existence of human beings, and is bound to be of interest to not only students and scholars engaged in the area of (im)politeness and internet pragmatics, but also to all those with a more general interest in the study of human (inter)actions in various situations and contexts. Originally published as special issue of Internet Pragmatics 1:2 (2018)"--$cProvided by publisher. 606 $aHo?flichkeit 606 $aComputerunterstu?tzte Kommunikation$vUnho?flichkeit 615 0$aHo?flichkeit. 615 0$aComputerunterstu?tzte Kommunikation 676 $a306.7 700 $aXie$b Chaoqun$01071397 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910794037003321 996 $aIm)politeness and moral order in online interactions$93679768 997 $aUNINA