LEADER 04565oam 2200841 c 450 001 9910793924803321 005 20220517145452.0 010 $a3-8467-6495-7 024 7 $a10.30965/9783846764954 035 $a(CKB)4100000010136569 035 $z(OCoLC)1130366667 035 $a(nllekb)BRILL9783846764954 035 $a(MiAaPQ)EBC6517288 035 $a(Au-PeEL)EBL6517288 035 $a(OCoLC)1243542631 035 $a(Brill | Fink)9783846764954 035 $a(EXLCZ)994100000010136569 100 $a20220221d2020 uy 0 101 0 $aeng 135 $aurun####uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 00$aRe-/Dissolving Mimesis$fSebastian Althoff, Elisa Linseisen, Maja-Lisa Mu?ller, Franziska Winter, Michael Taussig, Jane Bennett, Uwe Wirth 205 $a1st ed. 210 $aPaderborn$cBrill | Fink$d2020 215 $a1 online resource 225 0 $aMedien und Mimesis$v6 311 $a3-7705-6495-2 327 $tPreliminary Material /$rSebastian Althoff, Elisa Linseisen, Maja-Lisa Mu?ller and Franziska Winter --$tSigle /$rSebastian Althoff, Elisa Linseisen, Maja-Lisa Mu?ller and Franziska Winter --$tPreface /$rShumon Basar --$tEditorial: Re/Dissolving Mimesis /$rSebastian Althoff, Elisa Linseisen, Maja-Lisa Mu?ller and Franziska Winter --$tLOL History /$rShumon Basar --$tDying, Behind the Scenes: Picturing Impending Death /$rFelix Hasebrink --$tThe Making of a Screen Image /$rNiklas Kammermeier --$tSplitting Images: Cultural Techniques of Separation and Combination /$rMaja-Lisa Mu?ller --$tSoft Dissection /$rRebecca Puchta --$tEpistemological Zoomings into Post-Digital Reality, or How to Deal with Digital Images? Mimesis as a Methodological Approach /$rElisa Linseisen --$tContext and Perspective: On Challenges of (New) Media Criticism /$rFranziska Winter --$tA CCTV Image that Dissolves like Smeared Data: Distinguishability versus Similarity /$rSebastian Althoff --$tOMG FML RN (LOL): Feels, Images, and Memory in the Digital Ether /$rDavid Ashley Kerr --$tRe/Dis-Solved Selves: (Re)Searching Selfies, (Inter)Facing the Face /$rJulia Eckel --$tNotes on Contributors /$rSebastian Althoff, Elisa Linseisen, Maja-Lisa Mu?ller and Franziska Winter. 330 $aA woman is implicated in an assassination and captured on CCTV. Instead of looking for a truth behind the image - is she really guilty? - the writer and curator Shumon Basar dives deeper into the image itself. The kaleidoscopic result of this "paranoid, associative portrait" is the gateway for the authors of this volume to meme Basar's encounter with the digital image and to unfold what can be recognized as a post-digital image practice.To cut, to split, to reformat, to rearrange, to zoom - these techniques mix up the relation of reality and its representations and show that questions concerning the truthfulness of images under post-digital circumstances come to a dead end. The mimetic status of imagery, the search for the one and only original or false copy becomes an unsolvable quest in a world that is overloaded with images. What the authors of this volume therefore call for is not to neglect the concept of mimesis but to treat it as even more important - though as a dynamic not as a normative, hierarchical ranking tool. 410 0$aMedien und Mimesis;$v6. 606 $aPost-Digital 606 $aPost-Production 606 $aZoom 606 $aBlow Up 606 $aForensics 606 $aDigital Image 606 $aSurveillance 606 $aSelfie Culture 606 $aPost-Produktion 606 $aVergro?ßerung 606 $aDigitales Bild 606 $aU?berwachung 606 $aSelfie Kultur 615 4$aPost-Digital 615 4$aPost-Production 615 4$aZoom 615 4$aBlow Up 615 4$aForensics 615 4$aDigital Image 615 4$aSurveillance 615 4$aSelfie Culture 615 4$aPost-Produktion 615 4$aVergro?ßerung 615 4$aDigitales Bild 615 4$aU?berwachung 615 4$aSelfie Kultur 676 $a809.912 702 $aAlthoff$b Sebastian$4edt 702 $aLinseisen$b Elisa$4edt 702 $aMu?ller$b Maja-Lisa$4edt 702 $aWinter$b Franziska$4edt 702 $aTaussig$b Michael$4edt 702 $aBennett$b Jane$4edt 702 $aWirth$b Uwe$4edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910793924803321 996 $aRe-$93847418 997 $aUNINA