LEADER 03594nam 2200673 450 001 9910793817103321 005 20230307175728.0 010 $a1-5261-3980-4 010 $a1-5261-5051-4 010 $a1-5261-3979-0 035 $a(CKB)4100000010010799 035 $a(OCoLC)1132216419 035 $a(MdBmJHUP)muse82761 035 $a(MiAaPQ)EBC5995711 035 $a(StDuBDS)EDZ0002253187 035 $a(EXLCZ)994100000010010799 100 $a20200511d2020 fy| 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 181 $csti$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aStaging art and Chineseness $ethe politics of trans/nationalism and global expositions /$fJane Chin Davidson 210 1$aManchester :$cManchester University Press,$d2020. 215 $a1 online resource (xiii, 210 pages, 16 unnumbered pages of plates) $cillustrations (some color) 225 1 $aRethinking art's histories 300 $aAlso issued in print. 320 $aIncludes bibliographical references (pages 196-203) and index. 327 $aFront Matter -- Dedication -- Contents -- List of plates and figures -- Acknowledgements -- Introduction: staging art and Chineseness -- Chineseness as a theoretical, historical, and political problem in global art and exhibition -- Patty Chang and the transnational cinematic subject of Chineseness -- Environment, labor, and video: (eco)feminist interpellations of Chineseness in the work of Yuk King Tan, Cao Fei, and Wu Mali -- The dialectical image of empire -- The archive of Chineseness: the global exposition and the museum -- Select bibliography -- Index 330 8 $aThis book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation. 410 0$aRethinking art's histories. 606 $aVideo art$zChina$xExhibitions 606 $aArt$xExhibition techniques 606 $aArt, Chinese 606 $aArt$xExhibitions$xPolitical aspects 606 $aArt, Chinese$2fast$3(OCoLC)fst00816103 606 $aArt$xExhibition techniques$2fast$3(OCoLC)fst00815237 606 $aNationalism and art$2fast$3(OCoLC)fst01033874 606 $aVideo art$2fast$3(OCoLC)fst01166389 606 $aChina$2fast$3(OCoLC)fst01206073 608 $aExhibition catalogs.$2fast 615 0$aVideo art$xExhibitions. 615 0$aArt$xExhibition techniques. 615 0$aArt, Chinese. 615 0$aArt$xExhibitions$xPolitical aspects. 615 7$aArt, Chinese. 615 7$aArt$xExhibition techniques. 615 7$aNationalism and art. 615 7$aVideo art. 615 7$aChina. 676 $a709.51 700 $aDavidson$b Jane Chin$01524694 801 0$bStDuBDS 801 1$bStDuBDS 906 $aBOOK 912 $a9910793817103321 996 $aStaging art and Chineseness$93765712 997 $aUNINA