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100   $a20190805d2019      uy             0
101 0 $aeng
135   $aurcnu---unuuu
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aTheory of the art object /$fPaul Crowther
210  1$aLondon ;$aNew York :$cRoutledge,$d2019.
215   $a1 online resource (187 pages)
225 1 $aRoutledge advances in art and visual studies
300   $aIncludes index.
311   $a0-367-20947-0 
327   $aPictorial art and presentness -- Abstract art and transperceptual space -- In and through space : sculpture, assemblage, and installation art -- Land art : reciprocities of site and formation -- Embodiment and architectural cognition -- The aesthetic space of photography -- Digital objects, aesthetic phenomena.
330   $aMeaning in the visual arts centers on how the physical work makes its content or presence visible. The art object is fundamental. Indeed, the different object forms of each visual medium allows our experience of space-time, and our relations to other people, to be aesthetically embodied in unique ways. Through these embodiments, visual art compensates for what is otherwise existentially lost, and becomes part of what makes life worth living. The present book shows this by discussing a range of visual art forms, namely pictorial representation, abstraction, sculpture and assemblage works, land art, architecture, photography, and varieties of digital art.
410  0$aRoutledge advances in art and visual studies.
606   $aArt$xPhilosophy
606   $aObject (Aesthetics)
615  0$aArt$xPhilosophy.
615  0$aObject (Aesthetics)
676   $a700.1
700   $aCrowther$b Paul$0170369
801  0$bOCoLC-P
801  1$bOCoLC-P
906   $aBOOK
912   $a9910793754203321
996   $aTheory of the art object$93771636
997   $aUNINA