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040   $aDip.to Filologia Class. e Scienze Filosofiche$bita
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082 0 $a270
100 1 $aJoannou, Perikles-Petros $0475511
245 10$aDiscipline Générale Antique (IV-IX s.).$n1.2,$pLes canons des Synodes Particuliers /$cPériclès-Pierre Joannou ; [prefazione di Hamlet-Jean Card. Cicognani]
246 30$acanons des Synodes Particuliers
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300   $aXIX, 549 p. ;$c28 cm
440  0$aFonti ;$v9
500   $aIn testa al front.: Pontificia Commissione per la Redazione del Codice di Diritto Canonico Orientale
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650  4$aDiritto canonico
650  4$aChiesa orientale
700 1 $aCicognani, Hamlet Jean
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997   $aUNISALENTO
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200 14$aThe place of the viewer $ethe embodied beholder in the history of art, 1764-1968 /$fby Kerr Houston
210  1$aLeiden ;$aBoston :$cBrill,$d2019.
215   $a1 online resource (282 pages)
311   $a90-04-40023-0 
320   $aIncludes bibliographical references and index.
327   $aFront Matter -- Copyright page -- Acknowledgements -- Figures -- Introduction -- The Communicative Viewpoint: Photography, Frontality, and Multiplicity in the 1800s -- The Beholder in Motion: Kinetic Viewership -- The Body Physical, the Body Politic: Incorporated Viewership in the 1960s -- Art History and the Place of the Viewer since 1968 -- Back Matter -- Bibliography -- Index.
330   $aIn recent decades, art historians and critics have occasionally emphasized a dynamic, embodied mode of looking, accenting the role of the viewer and the complex interplay between beholders and works of art. In The Place of the Viewer , Kerr Houston shows that an attention to the position and physical experiences of beholders has in fact long informed art historical analyses ? and that close study of the theme can lead to a fuller understanding of the discipline, the act of viewership and individual works of art. Simultaneously attentive to historical ideas and contemporary scholarship, this book identifies a vein of thought that has been generally overlooked, and proposes new ways of seeing familiar works and traditions.
606   $aArt$xPsychology
606   $aArt criticism$xHistory
615  0$aArt$xPsychology.
615  0$aArt criticism$xHistory.
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