LEADER 03808oam 22005772 450 001 9910793672403321 005 20230511182022.0 010 $a90-04-39685-3 024 7 $a10.1163/9789004396852 035 $a(CKB)4100000008398792 035 $a(MiAaPQ)EBC5842466 035 $a(OCoLC)1096214217 035 $a(nllekb)BRILL9789004396852 035 $a(EXLCZ)994100000008398792 100 $a20190323d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe explicit material $einquiries on the intersection of curatorial and conservation cultures /$feditors, Hanna B. Ho?lling, Francesca G. Bewer, Katharina Ammann 210 1$aLeiden ;$aBoston :$cBRILL,$d2019. 215 $a1 online resource (308 pages) 225 1 $aStudies in Art & Materiality;$vvolume 1 311 0 $a90-04-37281-4 320 $aIncludes bibliographical references and index. 327 $tFront Matter -- Copyright page -- Dedication -- Preface /$rHanna B. Hölling -- Figures -- Contributors -- Material Encounters /$rHanna B. Hölling, Francesca G. Bewer and Katharina Ammann -- Time and Change in Material and Object Inquiries -- A Sea-Change Rich and Strange /$rDavid Lowenthal -- The Present, the Past, and the Material Object /$rPaul Eggert -- Engaging with Materials /$rElizabeth Pye -- Explicating the Performative: Material, Medium, Object -- The ?Extended Life? of Performance /$rJudit Bodor -- Framing Intention /$rKatharina Ammann -- Out of the Box /$rAnna Schäffler -- The Louvre on Celluloid /$rBirgit Cleppe -- The Making and Unmaking of Objects and Myths -- The Material Forms of the Past and the ?Afterlives? of the Compositiones variae /$rThea Burns -- Would You Like That With or Without Mayo? /$rDawn V. Rogala -- Transitions -- Materials, Objects, Transitions -- Back Matter -- Index. 330 $aThe Explicit Material gathers varied perspectives from the discourses of conservation, curation and humanities disciplines to focus on aspects of heritage transmission and material transitions. The authors observe and explicate the myriad transformations that works of different kinds - manuscripts, archaeological artefacts, video art, installations, performances, film, and built heritage - may undergo: changing contexts, changing matter, changing interpretations and display. Focusing on the vibrant materiality of artworks and artefacts, The Explicit Material puts an emphasis on objects as complex constructs of material relations. By so doing, it announces a shift in sensibilities and understandings of the significance of objects and the materials they are made of, and on the increasingly blurred boundaries between the practices of conservation and curation. 410 0$aStudies in Art & Materiality;$v1. 606 $aMuseums$xCollection management$xPhilosophy 606 $aMuseums$xCuratorship$xPhilosophy 606 $aMuseum conservation methods$xPhilosophy 606 $aArt$xConservation and restoration 606 $aAntiquities$xCollection and preservation 606 $aMaterial culture$xPhilosophy 615 0$aMuseums$xCollection management$xPhilosophy. 615 0$aMuseums$xCuratorship$xPhilosophy. 615 0$aMuseum conservation methods$xPhilosophy. 615 0$aArt$xConservation and restoration. 615 0$aAntiquities$xCollection and preservation. 615 0$aMaterial culture$xPhilosophy. 676 $a069/.5 702 $aHo?lling$b Hanna 702 $aBewer$b Francesca G$g(Francesca Gabrielle),$f1960- 702 $aAmmann$b Katharina 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910793672403321 996 $aThe explicit material$93854674 997 $aUNINA