LEADER 01334nam0 22002771i 450 001 SUN0050079 005 20061103120000.0 010 $a88-7107-012-7 100 $a20060824d1986 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aGuida alla catalogazione per autori delle stampe$fIstituto centrale per il catalogo unico delle biblioteche italiane e per le informazioni bibliografiche, Istituto centrale per il catalogo e la documentazione 210 $aRoma$cICCU$d1986 215 $aVIII, 140 p.$cill.$d29 cm. 606 $aStampe$xCatalogazione per autori$2FI$3SUNC018088 620 $dRoma$3SUNL000360 676 $a025.3471$v21 710 02$aIstituto centrale per il catalogo unico delle biblioteche italiane e per le informazioni bibliografiche$3SUNV015631$0284887 711 02$aIstituto centrale per il catalogo e la documentazione$3SUNV039369$0285422 712 $aIstituto centrale per il catalogo unico delle biblioteche italiane$3SUNV000676$4650 801 $aIT$bSOL$c20191111$gRICA 912 $aSUN0050079 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$d07CONS Ha 1351 $e07DP 2401 20060824 996 $aGuida alla catalogazione per autori delle stampe$9347105 997 $aUNICAMPANIA LEADER 03983oam 2200745I 450 001 9910458738503321 005 20200520144314.0 010 $a1-85727-081-9 010 $a1-134-97241-5 010 $a1-280-32849-5 010 $a0-203-13531-8 024 7 $a10.4324/9780203135310 035 $a(CKB)1000000000402615 035 $a(EBL)1137839 035 $a(SSID)ssj0000273114 035 $a(PQKBManifestationID)11205689 035 $a(PQKBTitleCode)TC0000273114 035 $a(PQKBWorkID)10328374 035 $a(PQKB)10490870 035 $a(MiAaPQ)EBC3060342 035 $a(MiAaPQ)EBC1137839 035 $a(MiAaPQ)EBC178319 035 $a(Au-PeEL)EBL3060342 035 $a(CaPaEBR)ebr10070837 035 $a(CaONFJC)MIL32849 035 $a(OCoLC)922956534 035 $a(OCoLC)958102916 035 $a(Au-PeEL)EBL178319 035 $a(OCoLC)437080307 035 $a(EXLCZ)991000000000402615 100 $a20180706h20011983 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWomen and film $eboth sides of the camera /$fE. Ann Kaplan 205 $a1st ed. 210 1$aLondon :$cRoutledge,$d1983, 2001. 215 $a1 online resource (273 p.) 300 $a"First published in 1983 by Methuen, Inc." 311 $a1-138-17354-1 311 $a0-415-02764-0 320 $aIncludes bibliography: p. [242]-252 and index. 327 $aCover; WOMEN AND FILM: Both sides of the camera; Copyright; Contents; List of plates; Preface; Acknowledgements; Introduction; PART I The classical and contemporary Hollywood cinema; 1 Is the gaze male?; 2 Patriarchy and the male gaze in Cukor's Camille (1936); 3 Fetishism and the repression of Motherhood in Von Sternberg's Blonde Venus {1932); 4 The struggle for control over the female discourse and female sexuality in Welles's Lady from Shanghai (1946); 5 Forms of phallic domination in the contemporary Hollywood film: Brooks's Looking for Mr Goodbar (1977) 327 $aPART II The independent feminist film6 The avant-gardes in Europe and the USA; 7 Silence as female resistance in Marguerite Duras's Nathalie Granger (1972); 8 Female politics in the symbolic realm: Von Trotta's Marianne and ]uliane (The German Sisters) (1981); 9 The American experimental woman's film: Yvonne Rainer's Lives of Performers and Film about a Woman Who . . . (1972-4); 10 The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971-81) 327 $a11 The avant-garde theory film: three case studies from Britain and the USA: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! 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