LEADER 02787oam 22004212 450 001 9910793604103321 005 20190828012351.0 010 $a1-134-85185-5 010 $a1-315-54370-2 010 $a1-134-85178-2 035 $a(CKB)4100000009040649 035 $a(MiAaPQ)EBC5851690 035 $a(OCoLC)1091237153 035 $a(OCoLC-P)1091237153 035 $a(FlBoTFG)9781315543703 035 $a(EXLCZ)994100000009040649 100 $a20190326d2019 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Routledge companion to the contemporary musical /$fedited by Jessica Sternfeld and Elizabeth L. Wollman 210 1$aNew York ;$aLondon :$cRoutledge,$d2019. 215 $a1 online resource (497 pages) 311 $a1-138-68461-9 330 $aThe Routledge Companion to the Contemporary Musical is dedicated to the musical's evolving relationship to American culture in the late twentieth and earlytwenty-first centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and specializations have been actively contributing to the interdisciplinary field of musical theater studies. Musicals have served not only to mirror the sociopolitical, economic, and cultural tenor of the times, but have helped shape and influence it, in America and across the globe: a genre that may seem, at first glance, light-hearted and escapist serves also as a bold commentary on society. Forty-four essays examine the contemporary musical as an ever-shifting product of an ever-changing culture. This volume sheds new light on the American musical as a thriving, contemporary performing arts genre, one that could have died out in the post-Tin Pan Alley era but instead has managed to remain culturally viable and influential, in part by newly embracing a series of complex contradictions. At present, the American musical is a live, localized, old-fashioned genre that has simultaneously developed into an increasingly globalized, tech-savvy, intensely mediated mass entertainment form. Similarly, as it has become increasingly international in its scope and appeal, the stage musical has also become more firmly rooted to Broadway--the idea, if not the place--and thus branded as a quintessentially American entertainment. 606 $aMusicals$xHistory and criticism 615 0$aMusicals$xHistory and criticism. 676 $a782.14 702 $aSternfeld$b Jessica$f1971- 702 $aWollman$b Elizabeth L.$f1969- 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910793604103321 996 $aThe Routledge companion to the contemporary musical$93803586 997 $aUNINA