LEADER 01491nam--2200457---450- 001 990000311580203316 005 20090528151542.0 010 $a88-7984-290-0 035 $a0031158 035 $aUSA010031158 035 $a(ALEPH)000031158USA01 035 $a0031158 100 $a20001211d1999----km-y0itay0103----ba 101 $aita 102 $aITA 105 $a||||||||001yy 200 1 $aDemocrazia, nazione e crisi delle ideologie$fFondazione Ugo Spirito 210 $aGenova$cLuni Editrice$d1999 215 $a442 p.$cill.$d23 cm 225 2 $aAnnali della Fondazione Ugo Spirito$v1997 9. 410 $12001$aAnnali della Fondazione Ugo Spirito$v1997 9. 461 1$1001-------$12001 606 0 $aFilosofia$xPeriodici 676 $a320.0904 710 02$aFondazione Ugo Spirito$0540898 801 0$aIT$bsalbc$gISBD 912 $a990000311580203316 951 $a320.09 FON 1/9 (ISP III 464/9)$b24799/G$cISP III$d00000627 959 $aBK 969 $aECO 979 $aPATTY$b90$c20001211$lUSA01$h1030 979 $aPATTY$b90$c20001211$lUSA01$h1817 979 $aPATTY$b90$c20001214$lUSA01$h1351 979 $aPATRY$b90$c20010508$lUSA01$h1350 979 $aPATRY$b90$c20011029$lUSA01$h1552 979 $c20020403$lUSA01$h1639 979 $aPATRY$b90$c20040406$lUSA01$h1622 979 $aRSIAV3$b90$c20090408$lUSA01$h1622 979 $aRSIAV3$b90$c20090528$lUSA01$h1515 996 $aDemocrazia, nazione e crisi delle ideologie$9879408 997 $aUNISA LEADER 05123nam 22009135 450 001 9910793555603321 005 20230817192622.0 010 $a1-61811-965-6 024 7 $a10.1515/9781618119650 035 $a(CKB)4100000008039945 035 $a(MiAaPQ)EBC5754840 035 $a(DE-B1597)540984 035 $a(OCoLC)1080250897 035 $a(DE-B1597)9781618119650 035 $a(EXLCZ)994100000008039945 100 $a20200229h20192019 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Contemporary Russian Cinema Reader $e2005-2016 /$fRimgaila Salys 210 1$aBoston, MA : $cAcademic Studies Press, $d[2019] 210 4$dİ2019 215 $a1 online resource (403 pages) 225 0 $aFilm and Media Studies 311 $a1-61811-963-X 320 $aIncludes bibliographical references. 327 $tFrontmatter -- $tContents -- $tPreface -- $tIntroduction. Russian Cinema in the Era of Globalization / $rStrukov, Vlad -- $tDead Man's Bluff / $rProkhorov, Aleksandr -- $tThe Sun / $rYoungblood, Denise J. -- $tCargo 200 / $rAnemone, Anthony -- $tMermaid / $rGoscilo, Helena -- $tHipsters / $rSalys, Rimgaila -- $tSilent Souls -- $tImaginary Documents: Inventing Traditions in Aleksei Fedorchenko's Cinema / $rOushakine, Serguei Alex. -- $tThe Smoke of the Fatherland: Body as Territory, Sexuality as Identity in Silent Souls / $rMikhailova, Tatiana -- $tMy Joy / $rWilmes, Justin -- $tElena -- $tThe Films of Andrei Zviagintsev: An Unblinking Chronicle of Family Crisis and Human Frailty / $rGraffy, Julian -- $tCrime without Punishment? Andrei Zviagintsev's Elena between Art Cinema and Social Drama / $rProkhorova, Elena -- $tThe Target / $rKukulin, Ilya -- $tThe Horde / $rRoberts, Tom -- $tShort Stories -- $tLost in Translation / $rLipovetsky, Mark -- $tTell Me What You Know about Russia? / $rNemchenko, Liliia -- $tLegend No. 17 / $rDolgopolov, Greg -- $tHard to Be a God -- $tGod Complex / $rDolin, Anton -- $tAleksei German. From Realism to Modernism / $rStishova, Elena -- $tLeviathan / $rGraffy, Julian -- $tThe Land of Oz / $rNemchenko, Liliia -- $tMy Good Hans / $rNorris, Stephen M. -- $tParadise / $rHicks, Jeremy -- $tContributors -- $tIndex 330 $aThe early years of the twenty-first century have been an exciting transitional period in Russian cinema, as the industry recovered from the crises of the late 1990s and again stepped onto the global stage. During these years four generations, from the late Soviet directors through post-Soviet and New Russian filmmakers to the Russian millennials, have worked in varying visual styles and with diverse narrative strategies, while searching for a new cinematic language. Financing and distribution models have evolved, along with conservative politics driving Ministry of Culture regulation. This reader is intended both for contemporary Russian cinema courses and for modern Russian culture courses that emphasize film. It does not attempt to establish a canon for the period but seeks to provide undergraduate students with an introduction to significant Russian films released between 2005 and 2016 that are also available with English subtitles. The twenty-one essays on individual films provide background information on directors' careers, detailed analyses of selected films, along with suggested further readings both in English and Russian. 410 0$aFilm and media studies (Boston, Mass.) 606 $aMotion pictures$zRussia (Federation)$xHistory$y21st century 610 $aAleksandr Mindadze. 610 $aAleksandr Sokurov. 610 $aAleksandr Zel'dovich. 610 $aAleksei Balabanov. 610 $aAleksei Fedorchenko. 610 $aAleksei German. 610 $aAndrei Konchalovsky. 610 $aAndrei Proshkin. 610 $aAndrei Zviagintsev. 610 $aAnna Melikian. 610 $aCargo 200. 610 $aContemporary Russian Culture. 610 $aContemporary Russian film. 610 $aDead Man's Bluff. 610 $aElena. 610 $aHard to be a God. 610 $aHipsters. 610 $aLegend Number 17. 610 $aLeviathan. 610 $aMermaid. 610 $aMikhail Segal. 610 $aMy Good Hans. 610 $aMy Joy. 610 $aNikolai Lebedev. 610 $aParadise. 610 $aPost-Soviet film. 610 $aRussian cinema. 610 $aSergei Loznitsa. 610 $aShort Stories. 610 $aSilent Souls. 610 $aThe Horde. 610 $aThe Land of Oz. 610 $aThe Sun. 610 $aThe Target. 610 $aValery Todorovsky. 610 $aVasily Sigarev. 610 $acinema. 610 $afilm. 615 0$aMotion pictures$xHistory 676 $a791.43094709051 702 $aSalys$b Rimgaila, $4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910793555603321 996 $aThe Contemporary Russian Cinema Reader$93834427 997 $aUNINA