LEADER 01193nas 2200385-a 450 001 996217254503316 005 20221206130219.0 035 $a(OCoLC)53810331 035 $a(CKB)110978979271538 035 $a(CONSER)--2004252134 035 $a(EXLCZ)99110978979271538 100 $a20031201a19949999 s-- - 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aApplication development trends $eADTmag.com 210 $aFramingham, MA $c101communications 311 $a1073-9564 517 3 $aADTmag.com 517 3 $aADT 606 $aApplication software$vPeriodicals 606 $aComputer software$xDevelopment$vPeriodicals 606 $aApplication software$2fast$3(OCoLC)fst00811706 606 $aComputer software$xDevelopment$2fast$3(OCoLC)fst00872537 608 $aPeriodicals.$2fast 615 0$aApplication software 615 0$aComputer software$xDevelopment 615 7$aApplication software. 615 7$aComputer software$xDevelopment. 906 $aJOURNAL 912 $a996217254503316 996 $aApplication development trends$92100604 997 $aUNISA LEADER 02929oam 22006494a 450 001 9910793399903321 005 20230111230538.0 010 $a1-5261-3552-3 010 $a1-5261-4195-7 010 $a1-5261-3550-7 024 7 $a10.7765/9781526135506 035 $a(CKB)4100000007150755 035 $a(MiAaPQ)EBC5597875 035 $a(StDuBDS)EDZ0002046382 035 $a(OCoLC)1085625239 035 $a(MdBmJHUP)muse72858 035 $a(DE-B1597)660205 035 $a(DE-B1597)9781526135506 035 $a(EXLCZ)994100000007150755 100 $a20181221e20182019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aUnlimited action$eThe performance of extremity in the 1970s /$fDominic Johnson 210 1$aBaltimore, Maryland :$cProject Muse,$d2018 210 3$aBaltimore, Md. :$cProject MUSE,$d2020 210 4$dİ2018 215 $a1 online resource (217 pages) 225 0 $aTheatre: theory, practice, performance 300 $aPreviously issued in print: 2019. 311 $a1-5261-3551-5 311 $a0-7190-9160-8 320 $aIncludes bibliographical references (pages [206]-213) and index. 327 $aIntroduction : performance-action-extremity -- The preferred ordeal -- A criminal touch -- The dirtying intention -- Impossible things -- The art of sabotage -- Conclusion : reckless people.- 330 $aUnlimited action concerns the limits imposed upon art and life, and the means by which artists have exposed, refused, or otherwise reshaped the horizon of aesthetics and of the practice of art, by way of performance art. It examines the 'performance of extremity' as practices at the limits of the histories of performance and art, in performance art's most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps. Through close encounters with these six artists and their works, and a broader contextual milieu of artists and works, Johnson articulates a counter-history of actions in a new narrative of performance art in the 1970s, to rethink and rediscover the history of contemporary art and performance. 410 0$aTheatre (Manchester, England) 606 $aAesthetics 606 $aPerformance art$xHistory$y20th century 610 $a1970s. 610 $aaction. 610 $aart. 610 $aextremity. 610 $ahistory. 610 $alimits. 610 $aperformance art. 615 0$aAesthetics. 615 0$aPerformance art$xHistory 676 $a700.411 700 $aJohnson$b Dominic$0936090 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910793399903321 996 $aUnlimited action$93780368 997 $aUNINA