LEADER 02286oam 2200325z- 450 001 9910793254003321 005 20210112173453.0 010 $a1-4985-8163-3 035 $a(CKB)4100000007321132 035 $a(MiAaPQ)EBC5650035 035 $a(EXLCZ)994100000007321132 100 $a20190630c2018uuuu -u- - 101 0 $aeng 135 $aur||||||||||| 200 14$aThe Latin American art song $esounds of the imagined nations /$fPatricia Caicedo 210 $cLexington Books 311 $a1-4985-8162-5 327 $aThe sounds of the imagined nations -- A creative storm -- New facets of the concept of nationalism in the twentieth century -- Toward a musical transnationalism or the dissolution of borders -- Performance practice of Latin American art song. 330 $aTaking as a thread the concept of national identity, this book elucidates the sound transformations that have taken place in the world of the Latin American art song since its appearance in the late nineteenth century to the present day. The book focuses in the art songs of Brazil, Argentina, Cuba, Venezuela, Bolivia, Peru, and Colombia. The book addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation. In songs, spaces of representation and cathartic tools thought, language and music have been at the service of some interests, fulfilling specific functions in the construction of the nation. In them, we observe that the construction of identity is a continuous, constant and changing process in which different stories are superimposed. Seen this way, songs are historical texts where social interactions are reflected, and the past, the present and the future are constantly negotiated. The book also addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation. 517 $aLatin American art song 606 $aSongs$zLatin America$xHistory and criticism 606 $aNationalism in music 615 0$aSongs$xHistory and criticism. 615 0$aNationalism in music. 676 $a782.42168098 700 $aCaicedo$b Patricia$01562121 906 $aBOOK 912 $a9910793254003321 996 $aThe Latin American art song$93829460 997 $aUNINA