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101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aTime, duration and change in contemporary art $ebeyond the clock /$fby Kate Brettkelly-Chalmers
210  1$aBristol, UK ;$aChicago, USA :$cIntellect,$d2019.
215   $a1 online resource (207 pages)
311   $a1-78320-919-4 
330 8 $a'Time, Duration and Change in Contemporary Art' presents a major study of time as a key aesthetic dimension of recent art practices. The book explores different aspects of time across a broad range of artistic media and draws on recent movements in philosophy, science, and technology to show how artists generate temporal experiences that resist the standardised time of modernity: Olafur Eliasson's melting icebergs produce fragile temporal ecologies; Marina Abramovic's performances test the durations of the human body; Christian Marclay's 'The Clock' conflates past and present chronologies. The book examines alternative frameworks of time, duration, and change in prominent philosophical, scientific, and technological traditions, including physics, psychology, phenomenology, neuroscience, media theory, and selected environmental sciences.
606   $aArt$xAesthetics
606   $aArt$y21st century
615  0$aArt$xAesthetics.
615  0$aArt
676   $a700.105
700   $aBrettkelly-Chalmers$b Kate$01470700
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910793234403321
996   $aTime, duration and change in contemporary art$93682737
997   $aUNINA