LEADER 01436nam 2200469 450 001 9910793208503321 005 20230126220841.0 010 $a1-5275-2656-9 035 $a(CKB)4100000007587078 035 $a(Au-PeEL)EBL5651714 035 $a(OCoLC)1083545271 035 $a(OCoLC)1149133557 035 $a(FINmELB)ELB124646 035 $a(MiAaPQ)EBC5651714 035 $a(EXLCZ)994100000007587078 100 $a20190220d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAfrican perspectives on global development /$fedited by Mahmoud Masaeli, Sanni Yaya and Rico Sneller 210 1$aNewcastle upon Tyne, UK :$cCambridge Scholars Publishing,$d2018. 215 $a1 online resource (386 pages) 311 $a1-5275-1155-3 606 $aGlobalization$zAfrica 606 $aWell-being$xSocial aspects$zAfrica 606 $aWell-being$xEconomic aspects$zAfrica 615 0$aGlobalization 615 0$aWell-being$xSocial aspects 615 0$aWell-being$xEconomic aspects 676 $a303.4826 702 $aMasaeli$b Mahmoud 702 $aSanni Yaya$b Hachimi 702 $aSneller$b Rico 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910793208503321 996 $aAfrican perspectives on global development$93691317 997 $aUNINA LEADER 03491nam 22005894a 450 001 9910777512003321 005 20230607221912.0 010 $a0-292-79640-4 024 7 $a10.7560/731370 035 $a(CKB)1000000000461898 035 $a(OCoLC)191934640 035 $a(CaPaEBR)ebrary10190650 035 $a(SSID)ssj0000122963 035 $a(PQKBManifestationID)11135347 035 $a(PQKBTitleCode)TC0000122963 035 $a(PQKBWorkID)10173923 035 $a(PQKB)11518428 035 $a(MiAaPQ)EBC3443068 035 $a(MdBmJHUP)muse1988 035 $a(Au-PeEL)EBL3443068 035 $a(CaPaEBR)ebr10190650 035 $a(MiAaPQ)EBC7271464 035 $a(Au-PeEL)EBL7271464 035 $a(DE-B1597)588509 035 $a(DE-B1597)9780292796409 035 $a(EXLCZ)991000000000461898 100 $a20000218d2001 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aClass struggle in Hollywood, 1930-1950$b[electronic resource] $emoguls, mobsters, stars, Reds, & trade unionists /$fGerald Horne 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$d2001 215 $a1 online resource (348 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-292-73137-X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tCONTENTS -- $tPREFACE -- $tACKNOWLEDGMENTS -- $tPART 1 -- $tINTRODUCTION -- $tPART 2 -- $t1 CLASS VERSUS CLASS -- $t2 REDS -- $tPART 3 -- $t3 MOBSTERS AND STARS -- $t4 Moguls -- $tPART 4 -- $t5 STRIKE -- $t6 LOCKOUT -- $tEPILOGUE -- $tARCHIVAL COLLECTIONS -- $tNOTES -- $tINDEX 330 $aAs World War II wound down in 1945 and the cold war heated up, the skilled trades that made up the Conference of Studio Unions (CSU) began a tumultuous strike at the major Hollywood studios. This turmoil escalated further when the studios retaliated by locking out CSU in 1946. This labor unrest unleashed a fury of Red-baiting that allowed studio moguls to crush the union and seize control of the production process, with far-reaching consequences. This engrossing book probes the motives and actions of all the players to reveal the full story of the CSU strike and the resulting lockout of 1946. Gerald Horne draws extensively on primary materials and oral histories to document how limited a "threat" the Communist party actually posed in Hollywood, even as studio moguls successfully used the Red scare to undermine union clout, prevent film stars from supporting labor, and prove the moguls' own patriotism. Horne also discloses that, unnoticed amid the turmoil, organized crime entrenched itself in management and labor, gaining considerable control over both the "product" and the profits of Hollywood. This research demonstrates that the CSU strike and lockout were a pivotal moment in Hollywood history, with consequences for everything from production values, to the kinds of stories told in films, to permanent shifts in the centers of power. 606 $aMotion picture industry$xEmployees$xLabor unions$zCalifornia$zLos Angeles 615 0$aMotion picture industry$xEmployees$xLabor unions 676 $a331.88/1179143/0979494 700 $aHorne$b Gerald$0850651 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777512003321 996 $aClass struggle in Hollywood, 1930-1950$93678169 997 $aUNINA