LEADER 04997oam 22006134a 450 001 9910793187403321 005 20230607193107.0 010 $a1-5261-2576-5 035 $a(CKB)4100000005598875 035 $a(MiAaPQ)EBC5475359 035 $a(MiAaPQ)EBC6371091 035 $a(OCoLC)1232850695 035 $a(MdBmJHUP)musev2_78518 035 $a(EXLCZ)994100000005598875 100 $a20180730e20202018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPerspectives on contemporary printmaking$ecritical writing since 1986 /$feditor, Ruth Pelzer-Montada 210 1$aManchester :$cManchester University Press,$d[2020] 210 4$dİ2020 215 $a1 online resource (xx, 347 pages) $cillustrations 300 $aOriginally published in print: 2018. 311 0 $a1-5261-5366-1 311 0 $a1-5261-2575-7 320 $aIncludes bibliographical references and index. 327 $aPart IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Rami?rez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman. 327 $aPart III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual) 327 $aPart II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour 327 $aPart I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson 327 $aPart I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field. 330 $a"This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research."--Publisher's description 606 $aPrints$2fast$3(OCoLC)fst01076812 606 $aPrintmakers$2fast$3(OCoLC)fst01076809 606 $aPrints$xTechnique$2fast$3(OCoLC)fst01076838 606 $aPrints$xTechnique 606 $aPrintmakers 606 $aPrints 615 7$aPrints. 615 7$aPrintmakers. 615 7$aPrints$xTechnique. 615 0$aPrints$xTechnique. 615 0$aPrintmakers. 615 0$aPrints. 676 $a760 701 $aPelzer-Montada$b Ruth$01519890 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910793187403321 996 $aPerspectives on contemporary printmaking$93758241 997 $aUNINA