LEADER 00867nam0 2200265 i 450 001 SUN0003565 005 20111020101722.583 020 $aIT$b58 4589 100 $a20020711d1958 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aˆLa ‰capacità del giudice$fClaudio Faranda 210 $aMilano$cGiuffrè$d1958 215 $a277 p.$d25 cm. 606 $aGiudice$2FI$3SUNC002455 620 $dMilano$3SUNL000284 676 $a347$v21 700 1$aFaranda$b, Claudio$3SUNV002906$0227388 712 $aGiuffrè$3SUNV001757$4650 801 $aIT$bSOL$c20181231$gRICA 912 $aSUN0003565 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$d00CONS XVII.Eb.6 $e00 1338 20020712 996 $aCapacità del giudice$9583057 997 $aUNICAMPANIA LEADER 03213oam 22006012 450 001 9910793168203321 005 20230814224335.0 010 $a90-04-38182-1 024 7 $a10.1163/9789004381827 035 $a(CKB)4100000006517785 035 $a(MiAaPQ)EBC5615309 035 $a(nllekb)BRILL9789004381827 035 $a(EXLCZ)994100000006517785 100 $a20180927d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe world upside-down in 16th century French literature and visual culture /$fby Vincent Robert-Nicoud 210 1$aLeiden ;$aBoston :$cBrill Rodopi,$d[2018] 215 $a1 online resource (298 pages) 225 0 $aFaux titre : etudes de langue et litterature francaises,$x0167-9392 ;$vvolume 426 300 $aRevision of author's thesis (doctoral)--University of Oxford, 2016. 311 $a90-04-38183-X 320 $aIncludes bibliographical references and index. 327 $aFront Matter -- Copyright page -- Acknowledgements -- Illustrations -- Abbreviations -- The Sixteenth-Century World Upside Down -- Adages, Paradoxes and Emblems -- Rabelais?s World Upside Down -- Religious Satire and Overturned Cooking Pots -- Social and Cosmic Disorders -- General Conclusion -- Back Matter -- Bibliography -- Index Nominum. 330 $aIn The World Upside Down in 16th Century French Literature and Visual Culture Vincent Robert-Nicoud offers an interdisciplinary account of the topos of the world upside down in early modern France. To call something ?topsy-turvy? in the sixteenth century is to label it as abnormal. The topos of the world upside down evokes a world in which everything is inside-out and out of bounds: fish live in trees, children rule over their parents, and rivers flow back to their source. The world upside down proves to be key in understanding how the social, political, and religious turmoil of sixteenth-century France was represented and conceptualised, and allows us to explore the dark side of the Renaissance by unpacking one of its most prevalent metaphors. 410 0$aFaux Titre$v426. 606 $aFrench literature$y16th century$xHistory and criticism 606 $aSymbolic inversion in literature 606 $aSymbolic inversion in art 606 $aLiterature and society$zFrance$xHistory$y16th century 606 $aSatire, French 606 $aArt$zFrance$xHistory 606 $aRenaissance$zFrance 607 $aFrance$xHistory$y16th century 607 $aFrance$xIntellectual life$y16th century 615 0$aFrench literature$xHistory and criticism. 615 0$aSymbolic inversion in literature. 615 0$aSymbolic inversion in art. 615 0$aLiterature and society$xHistory 615 0$aSatire, French. 615 0$aArt$xHistory. 615 0$aRenaissance 676 $a840.93003 700 $aRobert-Nicoud$b Vincent Corentin$f1987-$01459608 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910793168203321 996 $aThe world upside-down in 16th century French literature and visual culture$93700327 997 $aUNINA