LEADER 02430nam 2200469 450 001 9910793141603321 005 20221010153621.0 010 $a0-19-068166-7 010 $a0-19-068167-5 035 $a(CKB)4100000006676082 035 $a(StDuBDS)EDZ0001896366 035 $a(MiAaPQ)EBC5447665 035 $a(PPN)230581897 035 $a(EXLCZ)994100000006676082 100 $a20180614d2018 fy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aParis and the cliche? of history $ethe city and photographs, 1860-1970 /$fCatherine E. Clark 210 1$aNew York :$cOxford University Press,$d2018. 215 $a1 online resource $cillustrations (black and white) 300 $aPreviously issued in print: 2018. 311 1 $a0-19-068164-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Paris, photography, and history: 1860 to 1970 Imagination and evidence: visual history at Paris's municipal historical institutions Index and time: new forms and theories in photohistories Past and present: "repicturing" during the occupation and liberation of Paris Style and subjectivity: the Bimille?naire de Paris and the Parisian cliche?" C'e?tait Paris en 1970": the amateur photographer, the assassination of Paris, and photographic history Conclusion: looking back, looking forward: the vide?othe?que de Paris 330 8 $aFocusing on one of photography's birthplaces, 'Paris and the Cliche? of History' tells the story of how photographs came to be imagined and deployed as documents of the past. It uncovers the changing conventions that drove the formation of public photo archives, the inclusion of photos on the pages of illustrated books, their place in historical exhibitions and public festivals, and the organization of amateur photo contests to document Paris. 606 $aArt and history 607 $aParis (France)$xHistory$y19th century 607 $aParis (France)$xHistory$y20th century 607 $aParis (France)$xIn art 615 0$aArt and history. 676 $a944.361 700 $aClark$b Catherine E$g(Catherine Eleanor),$f1982-$01564435 801 0$bStDuBDS 801 1$bStDuBDS 906 $aBOOK 912 $a9910793141603321 996 $aParis and the cliche? of history$93833472 997 $aUNINA