LEADER 03529nam 2200517 450 001 9910792918903321 005 20230621005221.0 010 $a1-4773-1206-4 010 $a1-4773-1205-6 024 7 $a10.7560/312049 035 $a(CKB)3710000001400587 035 $a(MiAaPQ)EBC4875063 035 $a(MiAaPQ)EBC7171738 035 $a(Au-PeEL)EBL7171738 035 $a(DE-B1597)587015 035 $a(DE-B1597)9781477312056 035 $a(EXLCZ)993710000001400587 100 $a20171024h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aCormac Mccarthy and performance $epage, stage, screen /$fStacey Peebles 205 $aFirst edition. 210 1$aAustin, [Texas] :$cUniversity of Texas Press,$d2017. 210 4$dİ2017 215 $a1 online resource (253 pages) 311 $a1-4773-1231-5 311 $a1-4773-1204-8 320 $aIncludes bibliographical references and index. 327 $aIntroduction. Cormac Mccarthy, center stage -- First forays : early film interest and The Gardener's Son -- The unproduced screenplays : "Cities of the Plain," "Whales and Men," and "No Country for Old Men" -- Works for theater : The Stonemason and The Sunset Limited -- Keeping the faith : All the Pretty Horses and The Road -- Tragic success stories : No Country for Old Men and The Sunset Limited -- Great expectations : The Counselor and Child of God -- Conclusion. Bears that dance, bears that don't: the attempts to adapt Blood Meridian. 330 $aCormac McCarthy is renowned as the author of popular and acclaimed novels such as Blood Meridian, All the Pretty Horses, and The Road. Throughout his career, however, McCarthy has also invested deeply in writing for film and theater, an engagement with other forms of storytelling that is often overlooked. He is the author of five screenplays and two plays, and he has been significantly involved with three of the seven film adaptations of his work. In this book, Stacey Peebles offers the first extensive overview of this relatively unknown aspect of McCarthy?s writing life, including the ways in which other artists have interpreted his work for the stage and screen. Drawing on many primary sources in McCarthy?s recently opened archive, as well as interviews, Peebles covers the 1977 televised film The Gardener?s Son; McCarthy?s unpublished screenplays from the 1980s that became the foundation for his Border Trilogy novels and No Country for Old Men; various successful and unsuccessful productions of his two plays; and all seven film adaptations of his work, including John Hillcoat?s The Road (2009) and the Coen brothers? Oscar-winning No Country for Old Men (2007). Emerging from this narrative is the central importance of tragedy?the rich and varied portrayals of violence and suffering and the human responses to them?in all of McCarthy?s work, but especially his writing for theater and film. 606 $aMotion picture authorship$xHistory and criticism 606 $aPlaywriting$xHistory and criticism 615 0$aMotion picture authorship$xHistory and criticism. 615 0$aPlaywriting$xHistory and criticism. 676 $a813/.54 700 $aPeebles$b Stacey L$g(Stacey Lyn),$f1976-$01528040 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792918903321 996 $aCormac Mccarthy and performance$93820056 997 $aUNINA