LEADER 03778nam 22007815 450 001 9910792883003321 005 20230809223205.0 010 $a0-8232-7452-7 010 $a0-8232-7450-0 024 7 $a10.1515/9780823274505 035 $a(CKB)3710000001099924 035 $a(MiAaPQ)EBC4821725 035 $a(StDuBDS)EDZ0001809793 035 $a(OCoLC)976145551 035 $a(MdBmJHUP)muse59066 035 $a(DE-B1597)555114 035 $a(DE-B1597)9780823274505 035 $a(EXLCZ)993710000001099924 100 $a20200723h20172017 fg 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aBreaking Resemblance $eThe Role of Religious Motifs in Contemporary Art /$fAlena Alexandrova 205 $aFirst edition. 210 1$aNew York, NY :$cFordham University Press,$d[2017] 210 4$dİ2017 215 $a1 online resource (283 pages) $cillustrations 300 $aThis edition previously issued in print: 2017. 311 0 $a0-8232-7447-0 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tList of Figures --$tPreface and Acknowledgments --$tIntroduction: Situating Contemporary Art and Religion --$t1. Veronicas and Artists --$t2. Breaking the Religious Image: Reinventing Religion in Art --$t3. Between Critical Displacements and Spiritual Affirmations --$t4. Images between Religion and Art --$t5. The Video Veronicas of Bill Viola --$t6. Images That Do Not Rest: The Installations of Lawrence Malstaf --$t7. Illusionism Cut: The Painting of Victoria Reynolds --$t8. The Body Recast: The Sculpture of Berlinde de Bruyckere --$tConclusion --$tNotes --$tBibliography --$tIndex 330 $aIn recent decades curators and artists have shown a distinct interest in religion, its different traditions, manifestations in public life, gestures and images. Breaking Resemblance explores the complex relationship between contemporary art and religion by focusing on the ways artists re-work religious motifs as a means to reflect critically on our desire to believe in images, on the history of seeing them, and on their double power? iconic and political. It discusses a number of exhibitions that take religion as their central theme, and a selection of works by Bill Viola, Lawrence Malstaf, Victoria Reynolds, and Berlinde de Bruyckere?all of whom, in their respective ways and media, recycle religious motifs and iconography and whose works resonate with, or problematize the motif of, the true image. 606 $aArt, Modern$y21st century$xThemes, motives 606 $aArt, Modern$y20th century$xThemes, motives 606 $aIdols and images in art 606 $aArt and religion 610 $aacheiropoietos. 610 $aappropriation. 610 $acontemporary art. 610 $acounter-motif. 610 $acult image. 610 $aeras of the image. 610 $aexhibition. 610 $aiconoclasm. 610 $ainstallation. 610 $apainting. 610 $apresentation. 610 $aready-made. 610 $aregimes of the image. 610 $areligious iconography. 610 $areligious motif. 610 $asculpture. 610 $aspirituality. 610 $avideo-art. 615 0$aArt, Modern$xThemes, motives. 615 0$aArt, Modern$xThemes, motives. 615 0$aIdols and images in art. 615 0$aArt and religion. 676 $a700/.4820218 700 $aAlexandrova$b Alena$4aut$4http://id.loc.gov/vocabulary/relators/aut$01016131 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910792883003321 996 $aBreaking Resemblance$93790024 997 $aUNINA