LEADER 04361nam 2200541 450 001 9910792872303321 005 20190826145055.0 010 $a90-04-34187-0 024 7 $a10.1163/9789004341876 035 $a(CKB)3710000001103911 035 $a(MiAaPQ)EBC4848171 035 $a 2016059921 035 $a(nllekb)BRILL9789004341876 035 $a(PPN)229584934 035 $a(EXLCZ)993710000001103911 100 $a20170518h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe theatre of justice : $easpects of performance in Greco-Roman oratory and rhetoric /$fedited by Sophia Papaioannou, Andreas Serafim, Beatrice da Vela 210 1$aLeiden, Netherlands ;$aBoston, [Massachusetts] :$cBrill Nijhoff,$d2017. 210 4$dİ2017 215 $a1 online resource (367 pages) $cillustrations 225 1 $aMnemosyne Supplements,$x0169-8958 ;$vVolume 403 311 $a90-04-33464-5 320 $aIncludes bibliographical references and index. 327 $tFront Matter /$rSophia Papaioannou , Andreas Serafim and Beatrice da Vela -- $tIntroduction /$rSophia Papaioannou , Andreas Serafim and Beatrice da Vela -- $tAudience Reaction, Performance and the Exploitation of Delivery in the Courts and Assembly /$rIan Worthington -- $t?Conventions? in/as Performance: Addressing the Audience in Selected Public Speeches of Demosthenes /$rAndreas Serafim -- $tWould I Lie to You? Narrative and Performance in Isaios 6 /$rBrenda Griffith-Williams -- $tThe Orator and the Ghosts: Performing the Past in Fourth-Century Athens /$rGuy Westwood -- $tSpeech without Limits: Defining Informality in Republican Oratory /$rCatherine Steel -- $t?thos and Logical Argument in Thucydides? Assembly Debates /$rChristos Kremmydas -- $tElite Rhetoric and Self-Presentation: Metellus Numidicus Returns /$rHenriette van der Blom -- $tPitiable Dramas on the Podium of the Athenian Law Courts /$rKostas Apostolakis -- $tFrom the Stage to the Court: Rhetorical and Dramatic Performance in Donatus? Commentary on Terence /$rBeatrice da Vela -- $tOratorical Performance in Pliny?s Letters /$rKathryn Tempest -- $tThe Mind?s Theatre: Envy, Hybris and Enargeia in Demosthenes? Against Meidias /$rDimos Spatharas -- $tHow to ?Act? in an Athenian Court: Emotions and Forensic Performance /$rEdward M. Harris -- $tRoman Judges and Their Participation in the ?Theatre of Justice? /$rJon Hall -- $tStyle, Persona and Performance in Aeschines? Prosecution of Timarchus /$rChristopher Carey -- $tNarrative and Performance in the Speeches of Apollodoros /$rKonstantinos Kapparis -- $tPublic Performance and the Language of Antiphon?s Speeches /$rAlessandro Vatri -- $tBibliography /$rSophia Papaioannou , Andreas Serafim and Beatrice da Vela -- $tIndexes /$rSophia Papaioannou , Andreas Serafim and Beatrice da Vela. 330 $aThe Theatre of Justice contains 17 chapters that offer a holistic view of performance in Greek and Roman oratorical and political contexts. This holistic view consists of the examination of two areas of techniques. The first one relates to the delivery of speeches and texts: gesticulation, facial expressions and vocal communication. The second area includes a wide diversity of techniques that aim at forging a rapport between the speaker and the audience, such as emotions, language and style, vivid imagery and the depiction of characters. In this way the volume develops a better understanding of the objectives of public speaking, the mechanisms of persuasion, and the extent to which performance determined the outcome of judicial and political contests. 410 0$aMnemosyne, bibliotheca classica Batava.$pSupplementum ;$vVolume 403. 606 $aRhetoric, Ancient 606 $aOratory, Ancient 606 $aClassical literature$xHistory and criticism 615 0$aRhetoric, Ancient. 615 0$aOratory, Ancient. 615 0$aClassical literature$xHistory and criticism. 676 $a808.00938 702 $aPapaioannou$b Sophia 702 $aSerafim$b Andreas 702 $aVela$b Beatrice da 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792872303321 996 $aThe theatre of justice$92754036 997 $aUNINA