LEADER 03417nam 22004932 450 001 9910792838503321 005 20170831151816.0 010 $a1-4744-1899-6 010 $a1-4744-1898-8 024 7 $a10.1515/9781474418980 035 $a(CKB)3710000001156182 035 $a(StDuBDS)EDZ0001740750 035 $a(MiAaPQ)EBC5013818 035 $a(UkCbUP)CR9781474418980 035 $a(DE-B1597)614466 035 $a(DE-B1597)9781474418980 035 $a(OCoLC)1301548273 035 $a(EXLCZ)993710000001156182 100 $a20170302d2017|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Shakespearean inside $ea study of the complete soliloquies and solo asides /$fMarcus Nordlund$b[electronic resource] 210 1$aEdinburgh :$cEdinburgh University Press,$d2017. 215 $a1 online resource (ix, 237 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 28 Aug 2017). 311 $a1-4744-1897-X 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note:$g1.$tDirection --$g2.$tDivergence --$g3.$tDialogue --$g4.$tDistribution. 330 $aThe first comprehensive and fully systematic study of all soliloquies and solo asides in Shakespeare's plays.
The Shakespearean Inside is a study of all soliloquies and solo asides (dubbed "insides" for short) in Shakespeare's complete plays. The first step in the research process was the creation of the Shakespearean Inside Database (SID) where these speeches were annotated according to variables of genuine literary interest (such as act, dramatic subgenre, probable time of composition, dramatic speech acts, selected figures of speech, and character attributes such as gender and class). Such comprehensive and detailed data makes it possible to generalize dependably about Shakespeare's authorial habits, and, by extension, to identify situations where the author departs in interesting ways from his habitual practices. The monograph uses these broad patterns and significant exceptions as a backdrop for fresh interpretations of various Shakespeare plays (from early works such as The Taming of the Shrew and The Two Gentlemen of Verona to mature tragedies like Hamlet and late plays like The Tempest and The Two Noble Kinsmen).
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