LEADER 03800nam 2200541 450 001 9910792834803321 005 20220627232521.0 010 $a1-4744-3047-3 010 $a1-4744-0674-2 010 $a1-4744-0673-4 024 7 $a10.1515/9781474406734 035 $a(CKB)3710000001156121 035 $a(StDuBDS)EDZ0001740645 035 $a(MiAaPQ)EBC5013870 035 $a(DE-B1597)615181 035 $a(DE-B1597)9781474406734 035 $a(EXLCZ)993710000001156121 100 $a20171006h20172017 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aImpossible puzzle films $ea cognitive approach to contemporary complex cinema /$fMiklo?s Kiss and Steven Willemsen 210 1$aEdinburgh, [Scotland] :$cEdinburgh University Press,$d2017. 210 4$dİ2017 215 $a1 online resource $cillustrations (black and white) 300 $aPreviously issued in print: 2017. 311 $a1-4744-0672-6 320 $aIncludes bibliographical references, filmographies, and index. 327 $tFrontmatter --$tContents --$tAcknowledgements --$tIntroduction --$tI.1 In this book --$tChapter 1 Contemporary Complex Cinema --$t1.1 Complex conditions: the resurgence of narrative complexity --$t1.2 Complex cinema as brain-candy for the empowered viewer --$t1.3 Narrative taxonomies: simple, complex, puzzle plots --$tChapter 2 Cognitive Approach to Contemporary Complex Cinema --$t2.1 Why an (embodied-)cognitive approach? --$t2.2 Various forms of complexity and their effects on sense-making --$t2.3 A cognitive approach to classifying complexity --$tChapter 3 Narrative Complexity and Dissonant Cognitions --$t3.1 The concept of cognitive dissonance --$t3.2 Cognitions in dissonance: from social psychology to narrative engagement --$t3.3 Types of dissonance in narrative comprehension --$t3.4 Cognitive access to impossible storyworlds: immersed and reflected operations --$t3.5 ?Impossibilities? and embodied cognition --$tChapter 4 Taming Dissonance: Cognitive Operations and Interpretive Strategies --$t4.1 Cognitive dissonance versus narrative coherence --$t4.2 Reducing dissonance: interpretation and naturalisation --$t4.3 Coping with dissonance: frame-switches and poetic and aesthetic readings --$t4.4 Frame-switching as hermeneutic play in impossible puzzle films --$tChapter 5 Impossible Puzzle Films: Between Art Cinema and (Post-)Classical Narration --$t5.2 Impossible puzzle films and (post-)classical narration --$tChapter 6 Wallowing in Dissonance: The Attractiveness of Impossible Puzzles --$t6.1 Hermeneutic play and interpretive multiplicity --$t6.2 Orientation, navigation, mapping --$t6.3 Game logic and the fascination in failure --$t6.4 Effort justification --$t6.5 Diegetisation of decoupling --$t6.6 Fascination in infinity --$t6.7 Destabilised ontological certainty --$t6.8. Eudaimonic motivations and intrinsic needs --$tReferences --$tFilmography --$tIndex 330 8 $aBy blending film studies and cognitive sciences, Miklo?s Kiss and Steven Willemsen's study on impossible puzzle films looks into the relation between complex storytelling and the mind. Films looked at include 'Donnie Darko,' 'Mulholland Drive' and 'Primer.' 606 $aMotion pictures$xPhilosophy 606 $aNarration (Rhetoric) 615 0$aMotion pictures$xPhilosophy. 615 0$aNarration (Rhetoric) 676 $a791.43684 686 $aAP 45200$2rvk 700 $aKiss$b Miklo?s$c(College teacher),$01581869 702 $aWillemsen$b Steven 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792834803321 996 $aImpossible puzzle films$93863751 997 $aUNINA