LEADER 02363nam 2200505 450 001 9910792819903321 005 20230809224123.0 010 $a0-8130-5320-X 010 $a0-8130-5292-0 035 $a(CKB)3710000001353858 035 $a(MiAaPQ)EBC4857055 035 $a(StDuBDS)EDZ0001805727 035 $a(OCoLC)986538413 035 $a(MdBmJHUP)muse60345 035 $a(Au-PeEL)EBL4857055 035 $a(CaPaEBR)ebr11383843 035 $a(EXLCZ)993710000001353858 100 $a20170601h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aSigns that sing $ehybrid poetics in Old English verse /$fHeather Maring 210 1$aGainesville, Florida :$cUniversity Press of Florida,$d2017. 210 4$dİ2017 215 $a1 online resource (222 pages) 300 $aPreviously issued in print: 2017. 311 $a0-8130-5446-X 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Hybrid poetics in Old English verse -- Metonymy, Gifre, grdig, and a devouring-the-dead theme -- A lord-retainer theme -- Refiguring hybrid oral-literate signs -- Bright voice of praise: an Old English poet-patron theme -- A sea voyage in the dream of the rood -- Signifying the coming of Christ in the advent lyrics -- Afterword: signs that sing. 330 $aMaring considers several types of Old English verse: oral poetry, with its simultaneity of composition, dissemination, and reception and dynamic of performance; written poetry and its reliance on intertextual referencing; and liturgical works, heavily laden with Christian meaning. Maring's project examines the expressive possibilities created by hybridization as well as how these expressions influence our interpretation of individual poems from the ninth to eleventh centuries. 606 $aEnglish poetry$yOld English, ca. 450-1100$xHistory and criticism 606 $aEnglish language$yOld English, ca. 450-1100 615 0$aEnglish poetry$xHistory and criticism. 615 0$aEnglish language 676 $a829/.1 700 $aMaring$b Heather$f1971-$01561835 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792819903321 996 $aSigns that sing$93828874 997 $aUNINA