LEADER 03701nam 2200673 450 001 9910792705903321 005 20230809223807.0 010 $a3-11-049346-2 010 $a3-11-049577-5 024 7 $a10.1515/9783110495775 035 $a(CKB)3710000001177223 035 $a(MiAaPQ)EBC4843232 035 $a(DE-B1597)469930 035 $a(OCoLC)987933077 035 $a(OCoLC)988085364 035 $a(DE-B1597)9783110495775 035 $a(Au-PeEL)EBL4843232 035 $a(CaPaEBR)ebr11375532 035 $a(CaONFJC)MIL1006389 035 $a(OCoLC)960033941 035 $a(EXLCZ)993710000001177223 100 $a20170504h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe lives of paintings $epresence, agency and likeness in Venetian art of the sixteenth century /$fElsje van Kessel 210 1$aBoston, [Massachusetts] ;$aBerlin, [Germany] ;$aLeiden, [Netherlands] :$cDe Gruyter :$cLeiden University Press,$d2017. 210 4$dİ2017 215 $a1 online resource (348 pages, 15 unnumbered pages of plates) $ccolor illustrations 225 1 $aStudien aus dem Warburg-Haus ;$vBand 18 311 $a3-11-048589-3 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgements -- $tIntroduction -- $tA Modern Miracle: Christ Carrying the Cross in the Scuola di San Rocco -- $tA Portrait Defaced: The Donor Portrait of Broccardo Malchiostro in the Duomo of Treviso -- $tA Martyr of Painting: Irene di Spilimbergo, Titian, and Venetian Portraiture between Life and Death -- $tPolitics, Portraits, and Love: Francesco Bembo, Bianca Capello and 'the Most Beautiful Contemporary Painting in Venice' -- $tConclusion -- $tNotes -- $tBibliography -- $tList of Illustrations -- $tColour Plates -- $tIndex 330 $a"Lebende Bilder" im Venedig des 16. Jahrhunderts 330 $aIn sixteenth-century Venice, paintings were often treated as living beings. As this book shows, paintings attended dinner parties, healed the sick, made money, and became involved in love affairs. Presenting a range of case studies, Elsje van Kessel offers a detailed examination of the agency paintings and other two-dimensional images could exert. This lifelike agency is not only connected to the seemingly naturalistic style of these images - works by Titian, Giorgione and their contemporaries, illustrated here in over 150 plates. It is also brought in relation to their social-historical contexts, meticulously unravelled through archival research. Grounded in the theoretical literature on the agency of material things, The Lives of Paintings contributes to Venetian studies as well as engaging with wider debates on the attribution of life and presence to images and objects. 410 0$aStudien aus dem Warburg-Haus ;$vBand 18. 606 $aPainting, Italian$zItaly$zVenice$y16th century$xThemes, motives 606 $aPictures$xPsychological aspects 606 $aLife in art 606 $aSoul in art 606 $aArt and society$zItaly$zVenice$xHistory$y16th century 607 $aVenice (Italy)$xCivilization 615 0$aPainting, Italian$xThemes, motives. 615 0$aPictures$xPsychological aspects. 615 0$aLife in art. 615 0$aSoul in art. 615 0$aArt and society$xHistory 676 $a759.5/09031 686 $aLN 75810$2rvk 700 $aKessel$b Elsje van, $01516154 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792705903321 996 $aThe lives of paintings$93752422 997 $aUNINA