LEADER 03520nam 2200589 a 450 001 9910452122203321 005 20200520144314.0 010 $a0-8131-3749-7 010 $a1-283-32748-1 010 $a9786613327482 010 $a0-8131-7033-8 035 $a(CKB)1000000000460363 035 $a(EBL)820206 035 $a(OCoLC)65184408 035 $a(SSID)ssj0000252336 035 $a(PQKBManifestationID)11200303 035 $a(PQKBTitleCode)TC0000252336 035 $a(PQKBWorkID)10193658 035 $a(PQKB)10454156 035 $a(MiAaPQ)EBC820206 035 $a(OCoLC)868192785 035 $a(MdBmJHUP)muse18148 035 $a(Au-PeEL)EBL820206 035 $a(CaPaEBR)ebr10526389 035 $a(CaONFJC)MIL332748 035 $a(EXLCZ)991000000000460363 100 $a20011114d2002 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aStreet with no name$b[electronic resource] $ea history of the classic American film noir /$fAndrew Dickos 210 $aLexington $cUniversity Press of Kentucky$dc2002 215 $a1 online resource (324 p.) 300 $aDescription based upon print version of record. 311 $a0-8131-2243-0 320 $aIncludes bibliographical references (p. [283]-289) and index. 327 $aMachine generated contents note: 1. THE NOIR IN AMERICA 60 -- The Noir City 62 -- Archetypes-Protagonists 65 -- Abraham Polonsky 70 -- Jules Dassin 75 -- Nicholas Ray 82 -- Orson Welles 88 -- 2. THE HARD-BOILED FICTION INFLUENCE 96 -- Cornell Woolrich 99 -- The Private Detective 103 -- Humphrey Bogart, Spade, Marlowe, -- and the Film Noir 109 -- The Gangster Figure and the Noir 112 -- John Huston 115 -- Violence in the Noir 121 -- Samuel Fuller 125 -- Robert Aldrich 130 -- Don Siegel 137 -- Sexuality in the Noir 142 -- Families in the Noir 146 -- Joseph H. Lewis 151 -- 3. WOMEN AS SEEN IN THE FILM NOIR 156 -- Otto Preminger 164 -- 4. NOIR PRODUCTION 172 -- Noir Iconography 173 -- The Use of Voice-Over Narration 177 -- The Flashback Device 179 -- Amnesia as a Storytelling Device 182 -- The B Noir Production 184 -- Documentary Realism in the Noir 187 -- Critical and Popular Reception of the Film Noir 191 -- HUAC and the Blacklist 194 -- Fight Pictures 197 -- Caper Films 200 -- Crime Syndicate Expos6s 202 -- The Kefauver Crime Hearings 203 -- Anthony Mann 206 -- Phil Karlson 213 -- 5. THE NOIR INFLUENCE ON THE FRENCH NEW WAVE 222 -- Jean-Pierre Melville 228. 330 $aA Choice Outstanding Academic Title Flourishing in the United States during the 1940's and 50's, the bleak, violent genre of filmmaking known as film noir reflected the attitudes of writers and auteur directors influenced by the events of the turbulent mid-twentieth century. Films such as Force of Evil, Night and the City, Double Indemnity, Laura, The Big Heat, The Killers, Kiss Me Deadly and, more recently, Chinatown and The Grifters are indelibly American. Yet the sources of this genre were found in Germany and France and imported to Hollywood by emigr? filmmakers, who developed them 606 $aFilm noir$zUnited States$xHistory and criticism 608 $aElectronic books. 615 0$aFilm noir$xHistory and criticism. 676 $a791.43/655 700 $aDickos$b Andrew$f1952-$0881871 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452122203321 996 $aStreet with no name$91969874 997 $aUNINA LEADER 03543nam 22007455 450 001 9910792692203321 005 20230810001515.0 010 $a0-8232-7264-8 010 $a0-8232-7262-1 024 7 $a10.1515/9780823272624 035 $a(CKB)3710000000971693 035 $a(MiAaPQ)EBC4803733 035 $a(StDuBDS)EDZ0001720908 035 $a(OCoLC)965826885 035 $a(MdBmJHUP)muse58643 035 $a(DE-B1597)555277 035 $a(DE-B1597)9780823272624 035 $a(MiAaPQ)EBC4789576 035 $a(EXLCZ)993710000000971693 100 $a20200723h20172017 fg 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aMental Language $eFrom Plato to William of Ockham /$fClaude Panaccio 205 $aFirst edition. 210 1$aNew York, NY :$cFordham University Press,$d[2017] 210 4$dİ2017 215 $a1 online resource (302 pages) 225 0 $aMedieval Philosophy: Texts and Studies 300 $aThis edition previously issued in print: 2017. 300 $aTranslated from the French. 311 0 $a0-8232-7260-5 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tEditorial Foreword --$tPreface --$tIntroduction --$tPart I: The Sources --$tPart II: Thirteenth-Century Controversies --$tPart III: The Via moderna --$tConclusion --$tPostscript to the English-Language Edition (2014) --$tBibliography --$tIndex of Names --$tMedieval Philosophy: Texts and Studies 330 $aThe notion that human thought is structured like a language, with a precise syntax and semantics, has been pivotal in recent philosophy of mind. Yet it is not a new idea: it was systematically explored in the fourteenth century by William of Ockham and became central in late medieval philosophy. Mental Language examines the background of Ockham's innovation by tracing the history of the mental language theme in ancient and medieval thought. Panaccio identifies two important traditions: one philosophical, stemming from Plato and Aristotle, and the other theological, rooted in the Fathers of the Christian Church. The study then focuses on the merging of the two traditions in the Middle Ages, as they gave rise to detailed discussions over the structure of human thought and its relations with signs and language. Ultimately, Panaccio stresses the originality and significance of Ockham's doctrine of the oratio mentalis (mental discourse) and the strong impression it made upon his immediate successors. 410 0$aMedieval philosophy. 606 $aLanguage and logic 606 $aLogic 606 $aConcepts 606 $aKnowledge, Theory of$xHistory 606 $aThought and thinking$xHistory 610 $aThomas Aquinas. 610 $aWilliam Ockham. 610 $aconcept. 610 $alanguage of thought. 610 $amental language. 610 $amental word. 610 $athought. 615 0$aLanguage and logic. 615 0$aLogic. 615 0$aConcepts. 615 0$aKnowledge, Theory of$xHistory. 615 0$aThought and thinking$xHistory. 676 $a121 700 $aPanaccio$b Claude$4aut$4http://id.loc.gov/vocabulary/relators/aut$0540702 701 $aHochschild$b Joshua P$01179114 701 $aZiebart$b Meredith K$01481350 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910792692203321 996 $aMental Language$93698247 997 $aUNINA