LEADER 03603nam 2200661Ia 450 001 9910792586603321 005 20231206231316.0 010 $a1-315-57196-X 010 $a1-317-16645-0 010 $a1-317-16644-2 010 $a1-282-61478-9 010 $a9786612614781 010 $a0-7546-9793-2 035 $a(CKB)2670000000027948 035 $a(EBL)539835 035 $a(OCoLC)645937958 035 $a(SSID)ssj0000434427 035 $a(PQKBManifestationID)12111849 035 $a(PQKBTitleCode)TC0000434427 035 $a(PQKBWorkID)10396399 035 $a(PQKB)11725929 035 $a(Au-PeEL)EBL539835 035 $a(CaPaEBR)ebr10394992 035 $a(CaONFJC)MIL924863 035 $a(Au-PeEL)EBL5293582 035 $a(CaONFJC)MIL261478 035 $a(OCoLC)649913318 035 $a(MiAaPQ)EBC539835 035 $a(MiAaPQ)EBC5293582 035 $a(EXLCZ)992670000000027948 100 $a20091204d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aChristopher Marlowe the craftsman$b[electronic resource] $elives, stage and page /$fedited by Sarah Scott and Michael Stapleton 210 $aBurlington, VT $cAshgate$d2010 215 $a1 online resource (272 p.) 300 $aDescription based upon print version of record. 311 $a0-7546-6983-1 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; List of Contributors; Acknowledgments; IntroductionChristopher Marlowe the Craftsman:Lives, Stage, and Page; Part 1 Lives:Scholarship and Biography; 1 Marlowe Scholarship and Criticism:The Current Scene; 2 Marlowe Thinking Globally; 3 Reviewing What We Think We Knowabout Christopher Marlowe, Again; 4 Was Marlowe a Violent Man?; Part 2 Stage:Theater, Dramaturgy; 5 Edward II and Residual Allegory; 6 What Shakespeare Did toMarlowe in Private:Dido, Faustus, and Bottom; 7 The Jew of Malta and theDevelopment of City Comedy:"The Mean Passage of a History" 327 $a8 Speaking to the Audience:Direct Address in the Plays of Marloweand His ContemporariesPart 3 Page:Texts and Interpretations:Marlowe the Ovidian; 9 On the Eventfulness ofHero and Leander; 10 Marlowe's First Ovid:Certaine of Ovids Elegies; 11 Marlowe and Marston's Cursus; 12 Marlowe's Last Poem:Elegiac Aesthetics and the Epitaph onSir Roger Manwood; Page:Texts and Interpretations:Marlowe's Reach; 13 Hell is Discovered:The Roman Destination of Doctor Faustus; 14 Consuming Sorrow:Conversion and Consumption in Tamburlaine: Part One 327 $a15 Fractional Faustus:Edward Alleyn's Part in thePrinting of the A-TextBibliography; Index 330 $aContributions to this volume explore the idea of Marlowe as a working artist, in keeping with John Addington Symonds' characterization of him as a ""sculptor-poet."" Throughout the body of his work-including not only the poems and plays, but also his forays into translation and imitation-a distinguished company of established and emerging literary scholars traces how Marlowe conceives an idea, shapes and refines it, then remakes and remodels it, only to refashion it further in his writing process. 606 $aDrama$xTechnique 615 0$aDrama$xTechnique. 676 $a822/.3 701 $aScott$b Sarah$g(Sarah K.)$01480626 701 $aStapleton$b M. L$g(Michael L.),$f1958-$01480627 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792586603321 996 $aChristopher Marlowe the craftsman$93697337 997 $aUNINA