LEADER 04877nam 2200613 a 450 001 9910145294103321 005 20170809151950.0 010 $a1-281-06905-1 010 $a9786611069056 010 $a0-470-69087-9 010 $a0-470-76610-7 035 $a(CKB)1000000000398349 035 $a(EBL)320042 035 $a(OCoLC)476116333 035 $a(SSID)ssj0000105955 035 $a(PQKBManifestationID)11133687 035 $a(PQKBTitleCode)TC0000105955 035 $a(PQKBWorkID)10107895 035 $a(PQKB)11473333 035 $a(MiAaPQ)EBC320042 035 $a(EXLCZ)991000000000398349 100 $a20060809d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe art of theater$b[electronic resource] /$fJames R. Hamilton 210 $aMalden, MA ;$aOxford $cBlackwell Pub.$d2007 215 $a1 online resource (244 p.) 225 1 $aNew directions in aesthetics ;$v4 300 $aDescription based upon print version of record. 311 $a1-4051-1353-7 320 $aIncludes bibliographical references and index. 327 $aContents; Prologue; Part I:The Basics; 1 The Emergence of the Art of Theater:Background and History; 1.1 The backstory:1850s to 1950s; 1.2 The decisive in . uences:Brecht,Artaud,Grotowski; 1.3 The decisive years:1961 to 1985; 1.4 The final threads:absorption of new practices into the profession and the academy; 2 Theatrical Performance is an Independent Form of Art; 2.1 Theatrical performance as radically independent of literature; 2.2 Theatrical performance as a form of art; 3 Methods and Constraints; 3.1 Idealized cases that help focus on features needing analysis 327 $a3.2 Three general facts about theatrical performances and the constraints they impose on any successful account of theatrical performances4 Theatrical Enactment:The Guiding Intuitions; 4.1 Enactment:something spectators and performers do; 4.2 The crucial concept:"attending to another "; 4.3 What it is to "occasion " responses; 4.4 Audience responses:willing suspension of disbelief, acquired beliefs,or acquired abilities?; 4.5 Relativizing the account by narrowing its scope to narrative performances; Part II:The Independence of Theatrical Performance; 5 Basic Theatrical Understanding 327 $a5.1 Minimal general success conditions for basic theatrical understanding5.2 Physical and affective responses of audiences as non-discursive evidence of understanding; 5.3 The success conditions for basic theatrical understanding met by moment-to-moment apprehension of performances; 5.4 "Immediate objects," "developed objects," and "cogency "; 5.5 Objects of understanding having complex structures; 5.6 Generalizing beyond plays; 5.7 The problem of "cognitive uniformity "; 6 The Mechanics of Basic Theatrical Understanding 327 $a6.1 The "feature-salience " model of spectator convergence on the same characteristics6.2 What it is to respond to a feature as salient for some characteristics or a set of facts; 6.3 A thin common knowledge requirement; 6.4 A plausibly thickened common knowledge requirement; 6.5 The feature-salience model,"reader-response theory," and "intentionalism "; 6.6 Generalizing the salience mechanism to encompass non-narrative performances; 6.7 Some important benefits of the feature-salience model: double-focus,slippage,"performer power," "character power," and t 327 $a6.8 The feature-salience model and explaining how basic theatrical understanding occurs7 What Audiences See; 7.1 Identifying characters,events,and other objects in narrative performances; 7.2 Re-identification of characters and other objects in narrative performances; 7.3 The special nature of theatrical (uses of )space: performances and performance space; 7.4 Cross-performance re-identification; 7.5 Identifying and re-identifying objects in non-narrative performances; 7.6 Added benefits of the demonstrative and recognition- based approach to identification and re-identification 327 $a7.7 Theatrical performance as a fully independent practice 330 $aThe Art of Theater argues for the recognition of theatrical performance as an art form independent of dramatic writing. Identifies the elements that make a performance a work of art Looks at the competing views of the text-performance relationships An important and original contribution to the aesthetics and philosophy of theater 410 0$aNew directions in aesthetics ;$v4. 606 $aTheater$xPhilosophy 608 $aElectronic books. 615 0$aTheater$xPhilosophy. 676 $a792.01 700 $aHamilton$b James R$0141649 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910145294103321 996 $aThe art of theater$91950664 997 $aUNINA LEADER 01345oam 2200433zu 450 001 996214294703316 005 20210807004643.0 010 $a1-118-66982-7 035 $a(CKB)3450000000004566 035 $a(SSID)ssj0001034053 035 $a(PQKBManifestationID)11975704 035 $a(PQKBTitleCode)TC0001034053 035 $a(PQKBWorkID)11018304 035 $a(PQKB)10326737 035 $a(NjHacI)993450000000004566 035 $a(PPN)189012773 035 $a(EXLCZ)993450000000004566 100 $a20160829d2013 uy 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aBiology of the Antarctic Seas 210 31$a[Place of publication not identified]$cAmerican Geophysical Union$d2013 215 $a1 online resource (76 pages) $cillustrations, maps 225 1 $aAntarctic research series ;$vVolume 1, number 1190 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-87590-101-8 410 0$aAntarctic research series ;$vVolume 1, number 1190. 606 $aMarine biology$vCongresses 615 0$aMarine biology 676 $a574.9 702 $aLee$b Milton Oliver$f1901-1978 801 0$bPQKB 906 $aBOOK 912 $a996214294703316 996 $aBiology of the Antarctic Seas$92066188 997 $aUNISA LEADER 05073nam 22007455 450 001 9910792486203321 005 20220303162830.0 010 $a3-662-03620-7 024 7 $a10.1007/978-3-662-03620-4 035 $a(CKB)2660000000026255 035 $a(SSID)ssj0000855153 035 $a(PQKBManifestationID)11516675 035 $a(PQKBTitleCode)TC0000855153 035 $a(PQKBWorkID)10913132 035 $a(PQKB)10450518 035 $a(DE-He213)978-3-662-03620-4 035 $a(MiAaPQ)EBC3097703 035 $a(PPN)238080447 035 $a(EXLCZ)992660000000026255 100 $a20130125d1998 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aStochastic Differential Equations$b[electronic resource] $eAn Introduction with Applications /$fby Bernt Oksendal 205 $a5th ed. 1998. 210 1$aBerlin, Heidelberg :$cSpringer Berlin Heidelberg :$cImprint: Springer,$d1998. 215 $a1 online resource (XIX, 324 p.) 225 1 $aUniversitext,$x0172-5939 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-540-63720-6 320 $aIncludes bibliographical references and index. 327 $a1. Introduction -- 2. Some Mathematical Preliminaries -- 3. Ito Integrals -- 4. The Ito Formula and the Martingale Representation Theorem -- 5. Stochastic Differential Equations -- 6. The Filtering Problem -- 7. Diffusions: Basic Properties -- 8. Other Topics in Diffusion Theory -- 9. Applications to Boundary Value Problems -- 10. Application to Optimal Stopping -- 11. Application to Stochastic Control -- 12. Application to Mathematical Finance -- Appendix A: Normal Random Variables -- Appendix B: Conditional Expectation -- Appendix C: Uniform Integrability and Martingale Convergence -- Appendix D: An Approximation Result -- Solutions and Additional Hints to Some of the Exercises -- References -- List of Frequently Used Notation and Symbols. 330 $aThe main new feature of the fifth edition is the addition of a new chapter, Chapter 12, on applications to mathematical finance. I found it natural to include this material as another major application of stochastic analysis, in view of the amazing development in this field during the last 10-20 years. Moreover, the close contact between the theoretical achievements and the applications in this area is striking. For example, today very few firms (if any) trade with options without consulting the Black & Scholes formula! The first 11 chapters of the book are not much changed from the previous edition, but I have continued my efforts to improve the presentation through­ out and correct errors and misprints. Some new exercises have been added. Moreover, to facilitate the use of the book each chapter has been divided into subsections. If one doesn't want (or doesn't have time) to cover all the chapters, then one can compose a course by choosing subsections from the chapters. The chart below indicates what material depends on which sections. Chapter 6 Chapter IO Chapter 12 For example, to cover the first two sections of the new chapter 12 it is recom­ mended that one (at least) covers Chapters 1-5, Chapter 7 and Section 8.6. VIII Chapter 10, and hence Section 9.1, are necessary additional background for Section 12.3, in particular for the subsection on American options. 410 0$aUniversitext,$x0172-5939 606 $aProbabilities 606 $aPartial differential equations 606 $aMathematical physics 606 $aSystem theory 606 $aCalculus of variations 606 $aProbability Theory and Stochastic Processes$3https://scigraph.springernature.com/ontologies/product-market-codes/M27004 606 $aPartial Differential Equations$3https://scigraph.springernature.com/ontologies/product-market-codes/M12155 606 $aTheoretical, Mathematical and Computational Physics$3https://scigraph.springernature.com/ontologies/product-market-codes/P19005 606 $aSystems Theory, Control$3https://scigraph.springernature.com/ontologies/product-market-codes/M13070 606 $aCalculus of Variations and Optimal Control; Optimization$3https://scigraph.springernature.com/ontologies/product-market-codes/M26016 615 0$aProbabilities. 615 0$aPartial differential equations. 615 0$aMathematical physics. 615 0$aSystem theory. 615 0$aCalculus of variations. 615 14$aProbability Theory and Stochastic Processes. 615 24$aPartial Differential Equations. 615 24$aTheoretical, Mathematical and Computational Physics. 615 24$aSystems Theory, Control. 615 24$aCalculus of Variations and Optimal Control; Optimization. 676 $a519.2 686 $a60G40$2msc 686 $a60H10$2msc 686 $a60J45$2msc 700 $aOksendal$b Bernt$4aut$4http://id.loc.gov/vocabulary/relators/aut$0340540 906 $aBOOK 912 $a9910792486203321 996 $aStochastic differential equations$9331338 997 $aUNINA