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100   $a20090501d2009      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$a1989$b[electronic resource] $eBob Dylan didn't have this to sing about /$fJoshua Clover
210   $aBerkeley $cUniversity of California Press$dc2009
215   $a1 online resource (205 p.)
300   $aDescription based upon print version of record.
311   $a0-520-26787-7 
311   $a0-520-25255-1 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tContents -- $tIllustrations -- $tPrologue -- $tIntroduction: The Long 1989 -- $tPart One. 1989 (the unconfined unreckoned year) -- $tPart Two. "1989" (a shout in the street) -- $tEpilogue -- $tAcknowledgments -- $tNotes -- $tWorks Cited -- $tIndex
330   $aIn a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility." His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how "history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being."
606   $aPopular music$y1981-1990$xHistory and criticism
606   $aRap (Music)$xHistory and criticism
606   $aUnderground dance music$xHistory and criticism
606   $aGrunge music$xHistory and criticism
606   $aNineteen eighty-nine, A.D
610   $aacid house.
610   $abands.
610   $acultural studies.
610   $ade la soul.
610   $adr dre.
610   $aentertainment industry.
610   $afall of the berlin wall.
610   $agangsta rap.
610   $ageorge micheal.
610   $agrunge music.
610   $ahistorical.
610   $ahistory.
610   $ajesus jones.
610   $alyrical theory.
610   $amadonna.
610   $amedia studies.
610   $amusic studies.
610   $amusic.
610   $amusicians.
610   $anine inch nails.
610   $anirvana.
610   $anwa.
610   $aperforming arts.
610   $apolitical aesthetics.
610   $apolitics.
610   $apop music.
610   $apopular music.
610   $apublic enemy.
610   $arap music.
610   $aretrospective.
610   $aroxette.
610   $asingers.
610   $asocial context.
610   $athe end of history.
610   $athe klf.
610   $athe scorpions.
610   $au2.
615  0$aPopular music$xHistory and criticism.
615  0$aRap (Music)$xHistory and criticism.
615  0$aUnderground dance music$xHistory and criticism.
615  0$aGrunge music$xHistory and criticism.
615  0$aNineteen eighty-nine, A.D.
676   $a781.6409/048
700   $aClover$b Joshua$01473434
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910792447403321
996   $a1989$93686597
997   $aUNINA