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Catherine Gallagher demonstrates that political economists and their Romantic and early-Victorian critics jointly relocated the idea of value from the realm of transcendent spirituality to that of organic "life," making human sensations--especially pleasure and pain--the sources and signs of that value. Classical political economy, this book shows, was not a mechanical ideology but a form of nineteenth-century organicism, which put the body and its feelings at the center of its theories, and neoclassical economics built itself even more self-consciously on physiological premises. The Body Economic explains how these shared views of life, death, and sensation helped shape and were modified by the two most important Victorian novelists: Charles Dickens and George Eliot. It reveals how political economists interacted crucially with the life sciences of the nineteenth century--especially with psychophysiology and anthropology--producing the intellectual world that nurtured not only George Eliot's realism but also turn-of-the-century literary modernism. 606 $aEnglish fiction$y19th century$xHistory and criticism 606 $aEconomics in literature 606 $aEconomics$zGreat Britain$xHistory$y19th century 606 $aSenses and sensation in literature 606 $aHuman body in literature 606 $aDeath in literature 607 $aGreat Britain$xEconomic conditions$y19th century 615 0$aEnglish fiction$xHistory and criticism. 615 0$aEconomics in literature. 615 0$aEconomics$xHistory 615 0$aSenses and sensation in literature. 615 0$aHuman body in literature. 615 0$aDeath in literature. 676 $a823/.8093553 700 $aGallagher$b Catherine$0325348 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792398603321 996 $aThe body economic$93728941 997 $aUNINA