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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aStaging spectatorship in the plays of Philip Massinger /$fJoanne Rochester
210  1$aLondon :$cRoutledge,$d2016.
215   $a1 online resource (183 p.)
225 1 $aStudies in performance and early modern drama
300   $aFirst published 2010 by Ashgate Publishing.
311   $a0-7546-3080-3 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; List of Figures; Acknowledgements; Introduction; 1 "What Doe wee acte to day?" Plays within the Play: The Roman Actor; 2 "For your sport / You shall see a masterpiece": Masques-within in The Picture, The Guardian and The City Madam; 3 "Speculations / On cheating pictures": Visual Art as Dramatic Inset: The Picture; Conclusion: "Make your howse the stage on which weel act / Our comick sceane"; Bibliography; Index
330   $aIn Staging Spectatorship in the Plays of Philip Massinger, Joanne Rochester examines examples of on-stage spectatorship in three plays by Massinger, head playwright for the King's Men from 1625 to 1640. Focusing on the specific form of metatheatrical inset in each play-plays-within in The Roman Actor, masques-within in The City Madam, and the titular miniature portrait of The Picture - she analyzes Massinger's assumptions about interpretation, perception and spectator response.
410  0$aStudies in performance and early modern drama.
606   $aTheater audiences in literature
606   $aVisual perception in literature
606   $aTheater audiences$zEngland$xHistory$y17th century
615  0$aTheater audiences in literature.
615  0$aVisual perception in literature.
615  0$aTheater audiences$xHistory
676   $a822/.3
700   $aRochester$b Joanne.$01514490
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801  1$bMiAaPQ
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906   $aBOOK
912   $a9910792334803321
996   $aStaging spectatorship in the plays of Philip Massinger$93749663
997   $aUNINA