LEADER 04587nam 22006732 450 001 9910792304503321 005 20160219154222.0 010 $a1-107-20422-4 010 $a1-282-65800-X 010 $a9786612658006 010 $a0-511-76122-8 010 $a0-511-77597-0 010 $a0-511-77415-X 010 $a0-511-77673-X 010 $a0-511-77308-0 010 $a0-511-77521-0 035 $a(CKB)2670000000029205 035 $a(EBL)542765 035 $a(OCoLC)645939904 035 $a(SSID)ssj0000415435 035 $a(PQKBManifestationID)11270038 035 $a(PQKBTitleCode)TC0000415435 035 $a(PQKBWorkID)10411031 035 $a(PQKB)10001161 035 $a(UkCbUP)CR9780511761225 035 $a(Au-PeEL)EBL542765 035 $a(CaPaEBR)ebr10400507 035 $a(CaONFJC)MIL265800 035 $a(MiAaPQ)EBC542765 035 $a(EXLCZ)992670000000029205 100 $a20100506d2010|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe dark side of creativity /$fedited by David H. Cropley [and three others]$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2010. 215 $a1 online resource (x, 394 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-13960-0 311 $a0-521-19171-8 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: 1. The dark side of creativity: what is it? Arthur J. Cropley; 2. Creativity has no dark side Mark A. Runco; 3. Positive creativity and negative creativity (and unintended consequences) Keith James and Aisha Taylor; 4. Subjugating the creative mind: the Soviet biological weapons program and the role of the state Maria N. Zaitseva; 5. Imagining the bomb: Robert Oppenheimer, nuclear weapons, and the assimilation of technological innovation David Hecht; 6. The innovation dilemma: some risks of creativity in strategic agency James M. Jasper; 7. Creativity as a constraint on future achievement Jack A. Goncalo, Lynne C. Vincent and Pino G. Audia; 8. Boundless creativity Kevin Hilton; 9. Reviewing the art of crime - what, if anything, do criminals and artists/designers have in common? Lorraine Gamman and Maziar Raein; 10. Creativity in confinement Jennie Kaufman Singer; 11. Creativity and crime: how criminals use creativity to succeed Russell Eisenman; 12. So you want to become a creative genius? You must be crazy! Dean Keith Simonton; 13. Both sides of the coin?: personality, deviance, and creative behavior Luis Daniel Gasco?n and James C. Kaufman; 14. Neurosis: the dark side of emotional creativity James R. Averill and Elma P. Nunley; 15. Dangling from a tassel on the fabric of socially constructed reality: reflections on the creative writing process Liane Gabora and Nancy Holmes; 16. Creativity in the classroom: the dark side Arthur J. Cropley; 17. The dark side of creativity and how to combat it Robert J. Sternberg; 18. A systems engineering approach to counter terrorism Amihud Hari; 19. Malevolent innovation: opposing the dark side of creativity David H. Cropley; 20. Summary - the dark side of creativity - a differentiated model David H. Cropley. 330 $aWith few exceptions, scholarship on creativity has focused on its positive aspects while largely ignoring its dark side. This includes not only creativity deliberately aimed at hurting others, such as crime or terrorism, or at gaining unfair advantages, but also the accidental negative side effects of well-intentioned acts. This book brings together essays written by experts from various fields (psychology, criminal justice, sociology, engineering, education, history, and design) and with different interests (personality development, mental health, deviant behavior, law enforcement, and counter-terrorism) to illustrate the nature of negative creativity, examine its variants, call attention to its dangers, and draw conclusions about how to prevent it or protect society from its effects. 606 $aCreative ability 606 $aGood and evil 606 $aCriminal intent 615 0$aCreative ability. 615 0$aGood and evil. 615 0$aCriminal intent. 676 $a153.3/5 702 $aCropley$b David 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910792304503321 996 $aThe dark side of creativity$93786190 997 $aUNINA