LEADER 03298nam 22005891 450 001 9910792234503321 005 20210928231701.0 010 $a0-19-998643-6 035 $a(CKB)2560000000296604 035 $a(EBL)3055617 035 $a(OCoLC)922972579 035 $a(SSID)ssj0000999604 035 $a(PQKBManifestationID)11536035 035 $a(PQKBTitleCode)TC0000999604 035 $a(PQKBWorkID)10942338 035 $a(PQKB)10732328 035 $a(StDuBDS)EDZ0000132255 035 $a(MiAaPQ)EBC3055617 035 $a(PPN)182023036 035 $a(EXLCZ)992560000000296604 100 $a20120612d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aElectronic and computer music /$fPeter Manning 205 $a4th ed. 210 1$aNew York :$cOxford University Press,$d[2013] 210 4$dİ2013 215 $a1 online resource (570 p.) 300 $aDescription based upon print version of record. 311 $a0-19-974639-7 311 $a0-19-933249-5 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; 1. The Background to 1945; I. Developments from 1945 to 1960; 2. Paris and Musique Concre?te; 3. Cologne and Elektronische Musik; 4. Milan and Elsewhere in Europe; 5. America; II. New Horizons in Electronic Design; 6. The Voltage-Controlled Synthesizer; III. The Electronic Repertory from 1960; 7. Works for Tape; 8. Live Electronic Music; 9. Rock and Pop Electronic Music; IV. The Digital Revolution to 1980; 10. The Foundations of Computer Music; 11. From Computer Technology to Musical Creativity; 12. The Microprocessor Revolution; V. Digital Audio 327 $a13. The Characteristics of Digital AudioVI. MIDI; 14. The Development of the MIDI Communications Protocol; 15. From Analog to Digital: The Evolution of MIDI Hardware; 16. From Microcomputer to Music Computer: The MIDI Perspective; 17. Further Advances in Hardware Design; 18. The Changing Fortunes of the MIDI Manufacturing Sector; VII. Desktop Synthesis and Signal Processing; 19. From Minicomputer to Advanced Computer Workstation; 20. The Personal Computer; 21. The Digital Audio Workstation; 22. Laptop Music and Related Activities; 23. Synthesis, Signal Processing, and Spatialization 327 $a24. Performance Controllers: Evolution and ChangeVIII. Global Networking; 25. The Internet; 26. Conclusion; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z 330 8 $aIn this fourth edition of the classic text on the history and evolution of electronic music, Peter Manning extends the definitive account of the medium from its birth to include key developments from the dawn of the 21st century to the present day. 606 $aComputer music$xHistory and criticism 606 $aElectronic music$xHistory and criticism 615 0$aComputer music$xHistory and criticism. 615 0$aElectronic music$xHistory and criticism. 676 $a786.709 700 $aManning$b Peter$f1948-$01529819 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792234503321 996 $aElectronic and computer music$93774307 997 $aUNINA