LEADER 04659nam 2200673Ia 450 001 9910792229303321 005 20230721015311.0 010 $a0-19-988457-9 010 $a1-4356-1719-3 010 $a9786611162474 010 $a1-281-16247-7 010 $a0-19-972440-7 035 $a(CKB)2560000000296479 035 $a(EBL)415733 035 $a(OCoLC)437094709 035 $a(SSID)ssj0000239649 035 $a(PQKBManifestationID)11215744 035 $a(PQKBTitleCode)TC0000239649 035 $a(PQKBWorkID)10250496 035 $a(PQKB)11733391 035 $a(StDuBDS)EDZ0000023689 035 $a(Au-PeEL)EBL415733 035 $a(CaPaEBR)ebr10212136 035 $a(CaONFJC)MIL116247 035 $a(MiAaPQ)EBC415733 035 $a(EXLCZ)992560000000296479 100 $a20060912d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRossini$b[electronic resource] $ehis life and works /$fRichard Osborne 205 $a2nd ed. 210 $aOxford ;$aNew York $cOxford University Press$d2007 215 $a1 online resource (429 p.) 225 1 $aThe master musicians 300 $aDescription based upon print version of record. 311 $a0-19-518129-8 311 $a0-19-985141-7 320 $aIncludes bibliographical references and index. 327 $aContents; List of Illustrations; Key to Sigla; 1 The Formative Years (1792-1810); 2 Venice and Milan (1811-1814); 3 Arrival in Naples (1815); 4 Rome and II barbiere di Siviglia (1816); 5 Naples, Rome, and Milan (1816-1817); 6 Mose? in Egitto and Return to Pesaro (1818); 7 1819-1821; 8 Vienna, Verona, Venice (1822-1823); 9 Paris and London (1823-1824); 10 Paris (1824-1829); 11 Retirement from Operatic Composition; 12 Bologna, Paris, Madrid (1829-1834): Stabat mater, Olympe Pe?lissier, and Balzac; 13 Paris, the Rhineland, and Return to Italy (1835-1846) 327 $a14 Times of Barricades and Assassinations: Bologna, Florence, and Departure from Italy (1847-1855)15 Return to Paris (1855); 16 Saturday Soire?es and a New Mass; 17 Last Years (1865-1868); 18 Entr'acte: Some Problems of Approach to the Works; 19 The Early Operas (I): Farse for Venice's Teatro San Moise?; 20 Overtures; 21 The Early Operas (II): Demetrio e Polibio, L'equivoco stravagante, Ciro in Babilonia, La pietra del paragone; 22 Tancredi: Heroic Comedy and the Forming of a Method; 23 L'italiana in Algeri: Formal Mastery in the Comic Style 327 $a24 Milan and Venice (1813-1814): Aureliano in Palmira, II turco in Italia, Sigismondo 25 Arrival in Naples (1815-1816): Elisabetta, regina d'Inghilterra, La gazzetta; 26 Il barbiere di Siviglia and the Transformation of a Tradition; 27 Otello and the Confrontation of Tragedy; 28 La Cenerentola: An Essay in Comic Pathos; 29 La gazza ladra and the Semiseria Style; 30 Armida and the New Romanticism; 31 Mose? in Egitto (1818-1819) and Moi?se et Pharaon (1827); 32 A Lost Masterpiece and a Forgotten Favourite: Ermione and Ricciardo e Zoraide; 33 Rossini and Scott: La donna del lago 327 $a34 Maometto II (1820) and Le Sie?ge de Corinthe (1826)35 Back from the Shadows: Matilde di Shabran and Zelmira; 36 Farewell to Italy: Semiramide; 37 Il viaggio a Reims (1825) and Le Comte Ory (1828); 38 Guillaume Tell; 39 Sacred Music: Messa di Gloria, Stabat mater, Petite messe solennelle; 40 Vocal and Piano Music: Early Songs, Giovanna d'Arco, Les soire?es musicales, Pe?che?s de vieillesse; Appendixes; A: Calendar; B: List of Works; C: Personalia; D: Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W; Z 330 $aList of Illustrations Key to Sigla Preface to First Edition Preface to Second Edition 1. The formative years (1792-1810) 2. Venice and Milan (1811-14) 3. Arrival in Naples (1815) 4. Rome and Il barbiere di Siviglia (1816) 5. Naples, Rome and Milan (1816-17) 6 Mose in Egitto and Return to Pesaro (1818). 7. 1819-21 8. Vienna, Verona, Venice (1822-3) 9. Paris and London (1823-4) 10 Paris (1824-9) 11. Retirement from operatic composition 12. Bologna, Paris, Madrid (1829-34), Stabat mater, Olympe Pd'elissier, and Balzac 13. Paris, the Rhineland, and return to Italy (1835-46) 1 410 0$aMaster musicians series. 606 $aComposers$vBiography 615 0$aComposers 676 $a782.1092 676 $aB 700 $aOsborne$b Richard$f1943-$0764056 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792229303321 996 $aRossini$91550881 997 $aUNINA