LEADER 03198nam 22006013u 450 001 9910792226403321 005 20230721015305.0 010 $a0-19-029200-8 010 $a0-19-971136-4 010 $a9786611769710 010 $a1-281-76971-1 035 $a(CKB)2560000000296532 035 $a(EBL)416004 035 $a(OCoLC)437096429 035 $a(SSID)ssj0000261104 035 $a(PQKBManifestationID)11191755 035 $a(PQKBTitleCode)TC0000261104 035 $a(PQKBWorkID)10256328 035 $a(PQKB)10545311 035 $a(StDuBDS)EDZ0000023694 035 $a(MiAaPQ)EBC416004 035 $a(EXLCZ)992560000000296532 100 $a20151123d2008|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Tragic and the Ecstatic$b[electronic resource] $eThe Musical Revolution of Wagner's Tristan and Isolde 210 $aNew York ;$aOxford $cOxford University Press$dc2004 215 $a1 online resource (344 p.) 300 $aDescription based upon print version of record. 311 $a0-19-534300-X 311 $a0-19-985192-1 320 $aIncludes bibliographical references and index. 327 $aContents; Introduction; 1. The Path to Schopenhauer; 2. Tristan and Schopenhauer; 3. Tristan and Gottfried von Strassburg I: Minne; 4. Tristan and Gottfried von Strassburg II: Honor; 5. The Desire Music; 6. The Prelude: A Musico-poetic View; 7. Tragedy and Dramatic Structure; 8. The Two Death Motives; 9. Musico-poetic Design in Act 1; 10. Act 2, Scene 1: Night and Minne; 11. The Love Scene in Act 2: Transition and Periodicity; 12. Tristan's Answer to King Mark: Moral and Philosophical Questions; 13. Act 3: Musico-poetic Design; 14. Love as Fearful Torment; 15. The Road to Salvation 327 $aAppendix: Transcriptions from the Compositional Draft of Act 2, Scene 2Notes; Bibliography; Index; A; B; C; D; E; F; G; H; J; K; L; M; N; O; P; R; S; T; U; V; W; Z 330 $aDuring the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as ""a gift from heaven."" Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the boo 606 $aMusic -- Philosophy and aesthetics 606 $aSchopenhauer, Arthur, 1788-1860 606 $aWagner, Richard, 1813-1883. Tristan und Isolde 615 4$aMusic -- Philosophy and aesthetics. 615 4$aSchopenhauer, Arthur, 1788-1860. 615 4$aWagner, Richard, 1813-1883. Tristan und Isolde. 676 $a782.1 700 $aChafe$b Eric Thomas$f1946-$01584885 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910792226403321 996 $aThe Tragic and the Ecstatic$93868976 997 $aUNINA