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101 0 $aeng
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181   $ctxt
182   $cc
183   $acr
200 10$aMusic as discourse $esemiotic adventures in romantic music /$fKofi Agawu
210   $aOxford ;$aNew York $cOxford University Press$d2009
215   $a1 online resource (345 pages)
225 1 $aOxford studies in music theory
300   $aDescription based upon print version of record.
311   $a0-19-537024-4 
311   $a0-19-985216-2 
320   $aIncludes bibliographical references (p. 321-330) and index.
327   $aContents; Introduction; PART I: Theory; 1. Music as Language; 2. Criteria for Analysis I; 3. Criteria for Analysis II; 4. Bridges to Free Composition; 5. Paradigmatic Analysis; PART II: Analyses; 6. Liszt, Orpheus (1853-1854); 7. Brahms, Intermezzo in E Minor, op. 119, no. 2 (1893), and Symphony no. 1/ii (1872-1876); 8. Mahler, Symphony no. 9/i (1908-1909); 9. Beethoven, String Quartet, op. 130/i (1825-1826), and Stravinsky, Symphonies of Wind Instruments (1920); Epilogue; Bibliography; Index;
330   $aIntroduction  Part 1: Theory   1. Music as Language  2. Criteria for Analysis I  3. Criteria for Analysis II  4. Bridges to Free Composition  5. Paradigmatic Analysis  Part 2: Analyses   6. Liszt, Orpheus (1853-4)  7. Brahms, Intermezzo, op. 119 no.2 (1893), Brahms, Symphony no. 1/ii (1872-76)  8. Mahler, Symphony no. 9/i (1908-09)  9. Beethoven, String Quartet op. 130/i (1825-26), Stravinsky, Symphonies of Wind Instruments (1920)  Epilogue  Bibliography
410  0$aOxford studies in music theory.
606   $aMusical analysis
606   $aMusic$xPhilosophy and aesthetics
615  0$aMusical analysis.
615  0$aMusic$xPhilosophy and aesthetics.
676   $a781.1/7
676   $a781.17
700   $aAgawu$b V. Kofi$g(Victor Kofi)$0935946
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
801  2$bOPV
906   $aBOOK
912   $a9910792225503321
996   $aMusic as discourse$93868969
997   $aUNINA