LEADER 06309nam 2200589 450 001 9910792211103321 005 20200520144314.0 010 $a0-8143-3923-9 035 $a(CKB)2560000000305157 035 $a(EBL)3446595 035 $a(OCoLC)896213474 035 $a(SSID)ssj0001387957 035 $a(PQKBManifestationID)11755430 035 $a(PQKBTitleCode)TC0001387957 035 $a(PQKBWorkID)11383552 035 $a(PQKB)10040006 035 $a(MdBmJHUP)muse37844 035 $a(Au-PeEL)EBL3446595 035 $a(CaPaEBR)ebr11090698 035 $a(MiAaPQ)EBC3446595 035 $a(EXLCZ)992560000000305157 100 $a20150904h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aChanneling wonder $efairy tales on television /$fedited by Pauline Greenhill and Jill Terry Rudy 210 1$aDetroit, Michigan :$cWayne State University Press,$d2014. 210 4$dİ2014 215 $a1 online resource (464 p.) 225 1 $aSeries in fairy-tale studies 300 $aDescription based upon print version of record. 311 $a0-8143-3922-0 320 $aIncludes bibliographical references and index. 327 $gIntroduction:$tChanneling wonder : fairy tales, television, and intermediality /$rPauline Greenhill$gand$rJill Terry Rudy --$gPart I: For and about kids and adults.$tWho's got the power? : Super Why!, viewer agency, and traditional narrative /$rIan Brodie$gand$rJodi McDavid ;$tMerlin as initiation tale : a contemporary fairy-tale manual for adolescent relationships /$rEmma Nelson$gand$rAshley Walton ;$tLost in the woods : adapting "Hansel and Gretel" for television /$rDon Tresca ;$tThings Jim Henson showed us : intermediality and the artistic making of Jim Henson's The storyteller /$rJill Terry Rudy --$gPart II: Masculinities and/or femininities.$tThings Walt Disney didn't tell us (but at which Rodgers and Hammerstein at least hinted) : the 1965 made-for-TV musical of Cinderella /$rPatricia Sawin ;$t"Appearance does not make the man" : masculinities in Japanese television retellings of "Cinderella" /$rChristie Barber ;$tMolding messages : analyzing the reworking of "Sleeping Beauty" in Grimm's Fairy Tale Classics and Dollhouse /$rJeana Jorgensen$gand$rBrittany Warman ;$tThe power to revolutionize the world, or absolute gender apocalypse? : queering the new fairy-tale feminine in Revolutionary Girl Utena /$rKristian Lezubski --$gPart III: Beastly humans.$tCriminal beasts and swan girls : the Red Riding trilogy and Little Red Riding Hood on television /$rPauline Greenhill$gand$rSteven Kohm ;$tNew fairy tales are old again : Grimm and the Brothers Grimm /$rKristiana Willsey ;$tA dark story retold : adaptation, representation, and design in Snow White : a tale of terror /$rAndrea Wright ;$tJudith or Salome? Holofernes or John the Baptist? Catherine Breillat's rescripting of Charles Perrault's "Bluebeard" /$rShuli Barzilai --$gPart IV: Fairy tales are real! Reality TV, fairy-tale reality, commerce, and discourse.$tUgly stepsisters and unkind girls : reality TV's repurposed fairy tales /$rLinda J. Lee ;$tGetting real with fairy tales : magic realism in Grimm and Once Upon a Time /$rClaudia Schwabe ;$tHappily never after : the commodification and critique of fairy tale in ABC's Once Upon a Time /$rRebecca Hay$gand$rChrista Baxter ;$tThe fairy tale and the commercial in Carosello and Fractured Fairy Tales /$rChristina Bacchilega$gand$rJohn Rieder --$gPart V: Fairy-tale teleography.$tA critical introduction ot the fairy tale teleography /$rKendra Magus-Johnston. 330 $aTelevision has long been a familiar vehicle for fairy tales and is, in some ways, an ideal medium for the genre. Both more mundane and more wondrous than cinema, TV magically captures sounds and images that float through the air to bring them into homes, schools, and workplaces. Even apparently realistic forms, like the nightly news, routinely employ discourses of "once upon a time," "happily ever after," and "a Cinderella story." In Channeling Wonder: Fairy Tales on Television, Pauline Greenhill and Jill Terry Rudy offer contributions that invite readers to consider what happens when fairy tale, a narrative genre that revels in variation, joins the flow of television experience. Looking in detail at programs from Canada, France, Italy, Japan, the UK, and the U.S., this volume's twenty-three international contributors demonstrate the wide range of fairy tales that make their way into televisual forms. The writers look at fairy-tale adaptations in musicals like Rodgers and Hammerstein's Cinderella, anthologies like Jim Henson's The Storyteller, made-for-TV movies like Snow White: A Tale of Terror, Bluebeard, and the Red Riding Trilogy, and drama serials like Grimm and Once Upon a Time. Contributors also explore more unexpected representations in the Carosello commercial series, the children's show Super Why!, the anime series Revolutionary Girl Utena, and the live-action dramas Train Man and Rich Man Poor Woman. In addition, they consider how elements from familiar tales, including "Hansel and Gretel," "Little Red Riding Hood," "Beauty and the Beast," "Snow White," and "Cinderella" appear in the long arc serials Merlin, Buffy the Vampire Slayer, and Dollhouse, and in a range of television formats including variety shows, situation comedies, and reality TV. Channeling Wonder demonstrates that fairy tales remain ubiquitous on TV, allowing for variations but still resonating with the wonder tale's familiarity. Scholars of cultural studies, fairy-tale studies, folklore, and television studies will enjoy this first-of-its-kind volume.--Publisher website. 410 0$aSeries in fairy-tale studies. 606 $aDetective and mystery television programs$zUnited States$xHistory and criticism 606 $aFairy tales$vTelevision adaptations 615 0$aDetective and mystery television programs$xHistory and criticism. 615 0$aFairy tales 676 $a791.4561 702 $aGreenhill$b Pauline 702 $aRudy$b Jill Terry 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792211103321 996 $aChanneling wonder$93683083 997 $aUNINA