LEADER 03767nam 22005892 450 001 996208182603316 005 20221206095539.0 010 $a90-485-1867-9 024 7 $a10.1515/9789048518678 035 $a(CKB)2670000000344248 035 $a(EBL)1773711 035 $a(SSID)ssj0000939972 035 $a(PQKBManifestationID)12452975 035 $a(PQKBTitleCode)TC0000939972 035 $a(PQKBWorkID)10948121 035 $a(PQKB)10060683 035 $a(DE-B1597)517683 035 $a(OCoLC)859582159 035 $a(DE-B1597)9789048518678 035 $a(UkCbUP)CR9789048518678 035 $a(Au-PeEL)EBL1773711 035 $a(CaPaEBR)ebr10767093 035 $a(CaONFJC)MIL552086 035 $a(MiAaPQ)EBC1773711 035 $a(EXLCZ)992670000000344248 100 $a20201130d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAfter the break $etelevision theory today /$fedited by Marijke de Valck and Jan Teurlings$b[electronic resource] 210 1$aAmsterdam :$cAmsterdam University Press,$d2013. 215 $a1 online resource (202 pages) $cdigital, PDF file(s) 225 1 $aTelevisual culture 300 $aTitle from publisher's bibliographic system (viewed on 28 Dec 2020). 311 $a90-8964-522-5 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tTable of Contents --$tAfter the Break. Television Theory Today /$rde Valck, Marijke / Teurlings, Jan --$tPart I: Questioning the crisis --$t'Unreading' contemporary television /$rSchwaab, Herbert --$tCaught. Critical versus everyday perspectives on television /$rHermes, Joke --$tThe persistence of national TV. Language and cultural proximity in Flemish fiction /$rDhoest, Alexander --$tConstructing television. Thirty years that froze an otherwise dynamic medium /$rUricchio, William --$tWhen old media never stopped being new. Television's history as an ongoing experiment /$rKeilbach, Judith / Stauff, Markus --$tPart II: New paradigms --$tUnblackboxing production. What media studies can learn from actor-network theory /$rTeurlings, Jan --$tConvergence thinking, information theory and labour in 'end of television' studies /$rHayward, Mark --$tTelevision memory after the end of television history? /$rFrancisco, Juan / Lozano, Gutiérrez --$tPart III: New concepts --$tYouTube beyond technology and cultural form /$rvan Dijck, José --$tMove along folks, just move along, there's nothing to see. Transience, televisuality and the paradox of anamorphosis /$rBouman, Margot --$tBarry Chappell's Fine Art Showcase. Apparitional TV, aesthetic value, and the art market /$rWhite, Mimi --$tAbout the authors --$tIndex 330 $aTelevision is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development. 410 0$aTelevisual culture. 606 $aTelevision broadcasting 615 0$aTelevision broadcasting. 676 $a791.45 702 $aValck$b Marijke de 702 $aTeurlings$b Jan 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996208182603316 996 $aAfter the Break$91803267 997 $aUNISA LEADER 02388oam 2200613I 450 001 9910792198503321 005 20230803023623.0 010 $a1-135-12316-0 010 $a0-203-07599-4 010 $a1-299-27928-7 010 $a1-135-12317-9 024 7 $a10.4324/9780203075999 035 $a(CKB)2560000000099236 035 $a(EBL)1143722 035 $a(OCoLC)830161390 035 $a(SSID)ssj0000832603 035 $a(PQKBManifestationID)11440117 035 $a(PQKBTitleCode)TC0000832603 035 $a(PQKBWorkID)10900222 035 $a(PQKB)11694236 035 $a(MiAaPQ)EBC1143722 035 $a(Au-PeEL)EBL1143722 035 $a(CaPaEBR)ebr10672642 035 $a(CaONFJC)MIL459178 035 $a(OCoLC)842900701 035 $a(OCoLC)895722571 035 $a(FINmELB)ELB133406 035 $a(EXLCZ)992560000000099236 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aActing power $ethe 21st century edition /$fRobert Cohen 210 1$aLondon ;$aNew York :$cRoutledge,$d2013. 215 $a1 online resource (265 p.) 300 $aDescription based upon print version of record. 311 $a0-415-65847-0 311 $a0-415-65846-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction: the actor's viewpoint -- Out of the self -- Into the other -- Playing character -- Playing style -- Playing the performance -- Acting power: a synthesis. 330 $a'Robert Cohen's book, Acting Power, follows the tradition of his other book, Acting One, and has been the veritable bible for acting teachers for the last quarter century.' - David Krasner, Emerson College'This book, above all else, is an attempt to explore the qualities of acting power.... to suggest to you, the actor, an approach toward not merely good acting but powerful acting. Great actors display the power to frighten - and the power to seduce - and can shift between the one and the other like a violinist can her notes.' - From th 606 $aActing 615 0$aActing. 676 $a792.02/8 700 $aCohen$b Robert$f1938-,$01553901 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792198503321 996 $aActing power$93814756 997 $aUNINA