LEADER 03437nam 2200649 450 001 9910792156203321 005 20200520144314.0 010 $a3-03821-846-4 010 $a3-03821-223-7 024 7 $a10.1515/9783038212232 035 $a(CKB)2560000000148828 035 $a(EBL)1480471 035 $a(SSID)ssj0001216946 035 $a(PQKBManifestationID)11703003 035 $a(PQKBTitleCode)TC0001216946 035 $a(PQKBWorkID)11197797 035 $a(PQKB)11060342 035 $a(MiAaPQ)EBC1480471 035 $a(DE-B1597)246701 035 $a(OCoLC)880450100 035 $a(OCoLC)953288459 035 $a(DE-B1597)9783038212232 035 $a(Au-PeEL)EBL1480471 035 $a(CaPaEBR)ebr10861411 035 $a(CaONFJC)MIL808903 035 $a(OCoLC)874319901 035 $a(PPN)258141956 035 $a(EXLCZ)992560000000148828 100 $a20140506h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOpening spaces $edesign as landscape architecture /$fHans Loidl, Stefan Bernard 210 1$aBasel, Switzerland :$cBirkha?user,$d2014. 210 4$dİ2014 215 $a1 online resource (192 p.) 300 $aDescription based upon print version of record. 311 $a3-03821-487-6 327 $t Frontmatter -- $tInhalt -- $tTalking about design - a few introductory remarks -- $t"In the form of open space" -- $t[1] Form and forming -- $t[2] Designing and design -- $t[3] Space - place - path -- $t3.1 Creating space ("space") -- $t3.2 Creating focal points ("place") -- $t3.3 Movement and access ("path") -- $t[4] Design qualities -- $t4.1 Fundamentals of good design -- $t4.2 Characteristics of good design -- $t4.3 Repetition as a tool -- $tLiterature -- $tAuthors 330 $a"What does the landscape architect actually do as a design?" The authors investigate this seemingly simple question. What resources are available for designing open spaces? What part is played by conditions deriving from nature? How are locations and spaces created in the open air, how are paths routed and boundaries set, how are hard and soft materials used? Drawing on practical and theoretical experience, this introduction, often used as a textbook, reveals the central components of design and the intellectual paths followed in the design process."The book is not so much for reading but for doing. It plays with shapes, imagining how people feel in these shapes and seeing how shapes create a different experience of landscape. Vegetation can make the relief of a hill clearer, less clear, indistinct or hidden. The authors show this by sketches illustrating the text ... As an example of the way Loidl and Bernard set their readers thinking for themselves, I "e what they regard as good design: 'The paradox of a good design solution: more uniformity needs more variety.'Food for thought. Or read Open(ing) Spaces." (Martin Woestenburg in 'scape, 2006) 606 $aArchitecture$vDesigns and plans 606 $aLandscape architecture 615 0$aArchitecture 615 0$aLandscape architecture. 676 $a712 686 $aZC 53100$2rvk 700 $aLoidl$b Hans$0879296 702 $aBernard$b Stefan 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792156203321 996 $aOpening spaces$93697999 997 $aUNINA