LEADER 02192nam 2200541Ia 450 001 9910792090103321 005 20230802012846.0 010 $a1-60940-218-9 035 $a(CKB)2560000000092964 035 $a(EBL)1020909 035 $a(OCoLC)823243624 035 $a(SSID)ssj0000736882 035 $a(PQKBManifestationID)12330466 035 $a(PQKBTitleCode)TC0000736882 035 $a(PQKBWorkID)10773042 035 $a(PQKB)11413526 035 $a(MiAaPQ)EBC1020909 035 $a(Au-PeEL)EBL1020909 035 $a(CaPaEBR)ebr10598919 035 $a(CaONFJC)MIL532920 035 $a(EXLCZ)992560000000092964 100 $a20111202d2012 uy 1 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aContrary people$b[electronic resource] $ea novel /$fCarolyn Osborn 205 $a1st ed. 210 $aSan Antonio, Tex. $cWings Press$d2012 215 $a1 online resource (175 p.) 300 $aDescription based upon print version of record. 311 $a0-916727-96-3 327 $aFront Cover; Copyright; Dedication; Note to the reader; chapter One; chapter two; chapter three; chapter four; chapter five; chapter six; chapter seven; chapter eight; About the Author; Acknowledgments; Back Cover 330 $aIn the late 1960's in Austin, Texas, Theo Isaac is grappling with being both recently widowed and retired from a professorship he loved, taking refuge from his life at the Elisabet Ney sculpture museum. Rose Davis, a student from his distant past, returns to Austin after her nonconformist life in Paris falls apart. Together they find that discovering unexpected futures is not just for the young. This is a beautiful, witty tale of human renewal sculpted within a metaphor. 606 $aOlder people$vFiction 607 $aAustin (Tex.)$vFiction 607 $aTexas$xHistory$y20th century$vFiction 615 0$aOlder people 676 $a813/.54 700 $aOsborn$b Carolyn$f1934-$01574999 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792090103321 996 $aContrary people$93851662 997 $aUNINA