LEADER 01588nam 2200397 a 450 001 9910700723703321 005 20110728113838.0 035 $a(CKB)5470000002411773 035 $a(OCoLC)743216998 035 $a(EXLCZ)995470000002411773 100 $a20110728d2011 ua 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aSurficial geology of the sea floor in central Rhode Island Sound southeast of Point Judith, Rhode Island$b[electronic resource] /$fby K.Y. McMullen ... [and others] 210 1$aReston, Va. :$cU.S. Dept. of the Interior, U.S. Geological Survey,$d2011. 215 $a1 online resource $ccolor illustrations, color maps 225 1 $aU.S. Geological Survey open-file report ;$v2011-1005 300 $aTitle from title screen (viewed on July 28, 2011). 320 $aIncludes bibliographical references. 606 $aSubmarine topography$zRhode Island Sound (Mass. and R.I.) 606 $aMarine sediments$zRhode Island Sound (Mass. and R.I.)$xRemote sensing 606 $aOcean bottom$zRhode Island Sound (Mass. and R.I.) 615 0$aSubmarine topography 615 0$aMarine sediments$xRemote sensing. 615 0$aOcean bottom 701 $aMcMullen$b K. Y$01390532 712 02$aGeological Survey (U.S.) 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910700723703321 996 $aSurficial geology of the sea floor in central Rhode Island Sound southeast of Point Judith, Rhode Island$93481962 997 $aUNINA LEADER 04447oam 2200685Ka 450 001 9910792079303321 005 20190503073412.0 010 $a1-299-22072-X 010 $a0-262-31309-X 035 $a(CKB)2560000000098125 035 $a(EBL)3339572 035 $a(SSID)ssj0000835558 035 $a(PQKBManifestationID)12419348 035 $a(PQKBTitleCode)TC0000835558 035 $a(PQKBWorkID)10997190 035 $a(PQKB)11778779 035 $a(MiAaPQ)EBC3339572 035 $a(OCoLC)829253306 035 $a(OCoLC-P)829253306 035 $a(MaCbMITP)9228 035 $a(Au-PeEL)EBL3339572 035 $a(CaPaEBR)ebr10661915 035 $a(CaONFJC)MIL453322 035 $a(OCoLC)834620399 035 $a(EXLCZ)992560000000098125 100 $a20130307d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIllusions in motion $emedia archaeology of the moving panorama and related spectacles /$fErkki Huhtamo 210 $aCambridge, Mass. $cMassachusetts Institute of Technology$dİ2013 215 $a1 online resource (461 p.) 225 1 $aLeonardo book series 300 $aDescription based upon print version of record. 311 $a0-262-01851-9 320 $aIncludes bibliographical references and index. 327 $aPreface: The Formation of a Panoramaniac -- Introduction: Moving Panorama - a Missing Medium -- The Incubation Era: Antecedents and Anticipations -- Large as Life, and Moving: The Peristrephic Panorama -- Rolling Across the Stage: The Moving Panorama and the Theatre -- Transformed By The Light: The Diorama and the "dioramas" -- The Panoramania, or The Mid-Century Moving Panorama Craze -- Panoramania in Practice: Albert Smith and his Moving Panoramas -- The Moving Panorama Performance: an Excavation -- Intermedial Tug of War, or Panoramas and Magic Lanterns -- Sensory Bombardment: a Medium's Final Fanfares -- The Discursive Transfiguration of the Moving Panorama -- Conclusion: From Panoramas to Media Culture. 330 $aTracing the cultural, material, and discursive history of an early manifestation of media culture in the making.Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved--hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a "window" by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda. 410 0$aLeonardo Book 606 $aPanoramas 606 $aPanoramas$xPsychological aspects 606 $aMass media and culture 606 $aPopular culture 610 $aDIGITAL HUMANITIES & NEW MEDIA/General 610 $aARTS/Photography & Film/History, Theory & Criticism 610 $aSOCIAL SCIENCES/Media Studies 615 0$aPanoramas. 615 0$aPanoramas$xPsychological aspects. 615 0$aMass media and culture. 615 0$aPopular culture. 676 $a751.7/4 700 $aHuhtamo$b Erkki$01101010 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910792079303321 996 $aIllusions in motion$93758351 997 $aUNINA