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100   $a20130109d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aAmerican ethnographic film and personal documentary$b[electronic resource] $ethe Cambridge turn /$fScott MacDonald
210   $aBerkeley $cUniversity of California Press$d2013
215   $a1 online resource (425 p.)
300   $aDescription based upon print version of record.
311   $a0-520-27562-4 
311   $a0-520-27561-6 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tContents -- $tIntroduction -- $t1. Lorna and John Marshall -- $t2. Robert Gardner -- $t3. Timothy Asch -- $t4. Ed Pincus and the Emergence of Personal Documentary -- $t5. Alfred Guzzetti and Personal Cinema -- $t6. Ross McElwee -- $t7. Robb Moss -- $t8. Panorama: Other Approaches to Personal Documentary -- $t9. Lucien Castaing-Taylor and Sensory Ethnography -- $tEpilogue -- $tAppendix: Sources for Films -- $tNotes -- $tIndex
330   $aAmerican Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. 
606   $aDocumentary films$zUnited States$xHistory and criticism
606   $aEthnographic films$zUnited States$xHistory and criticism
610   $aaccomplished filmmakers.
610   $aboston.
610   $acambridge.
610   $acarpenter center.
610   $acosmopolitan approach.
610   $adocumentary movies.
610   $aed pincus.
610   $aethnography.
610   $afilm and television.
610   $afilm study center.
610   $agroundbreaking films.
610   $ahistory of film.
610   $ahistory.
610   $ainfluential filmmakers.
610   $ajohn marshall.
610   $amichel negroponte.
610   $amiriam weinstein.
610   $amit film section.
610   $anina davenport.
610   $aperforming arts.
610   $apersonal documentary.
610   $aprofessional relationships.
610   $arobb moss.
610   $arobert gardner.
610   $atimothy asch.
610   $avisual and environmental studies department at harvard.
615  0$aDocumentary films$xHistory and criticism.
615  0$aEthnographic films$xHistory and criticism.
676   $a070.1/8
686   $aPER004000$2bisacsh
700   $aMacDonald$b Scott$f1942-$0835457
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910792022803321
996   $aAmerican ethnographic film and personal documentary$93780949
997   $aUNINA