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100   $a20140929d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aShakespearean metaphysics /$fMichael Witmore
210  1$aLondon ;$aNew York :$cContinuum,$d2008.
215   $a1 online resource (156 p.)
225 1 $aShakespeare now!
300   $aDescription based upon print version of record.
311   $a0-8264-9044-1 
311   $a0-8264-9043-3 
320   $aIncludes bibliographical references (pages [127]-129) and index.
327   $aContents; General Editors' Preface; Acknowledgements; 1. Shakespearean Metaphysics and the Drama of Immanence; 2. Whitehead and the Final Satisfaction of Twelfth Night; 3. Lear's Intensity, Bergson's Divided Kingdom; 4. Spinoza and The Tempest: An Island of One; Bibliographical Note and Further Reading; Index
330   $aMetaphysics is usually associated with that part of the philosophical tradition which asks about 'last things', questions such as: How many substances are there in the world? Which is more fundamental, quantity or quality? Are events prior to things, or do they happen to those things? While he wasn't a philosopher, Shakespeare was obviously interested in 'ultimates' of this sort. Instead of probing these issues with argument, however, he did so with plays. Shakespearean Metaphysics argues for Shakespeare's inclusion within a metaphysical tradition that opposes empiricism and Cartesian dualism.
410  0$aShakespeare now!.
606   $aMetaphysics in literature
615  0$aMetaphysics in literature.
676   $a822.33
700   $aWitmore$b Michael$01503384
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